Monday, April 15, 2013 - Litany Lane Blog: Calumny, Psalms 119:23-30, Acts 6:8-15, John 6:22-29, Pope Francis Daily Homily - Calumny destroys the work of God in people, St Hunna, Strasbourg France, Strasbourg Cathedral, Catholic Catechism Part Two: THE SEVEN SACRAMENTS OF THE CHURCH - Article 3:1 The Eucharist - Source and Summit of Ecclesial Life

Monday,  April 15, 2013 - Litany Lane Blog:

Calumny, Psalms 119:23-30, Acts 6:8-15, John 6:22-29, Pope Francis Daily Homily - Calumny destroys the work of God in people, St Hunna, Strasbourg France, Strasbourg Cathedral, Catholic Catechism Part Two: THE SEVEN SACRAMENTS OF THE CHURCH - Article 3:1  The Eucharist - Source and Summit of Ecclesial Life

Year of Faith - October 11, 2012 - November 24, 2013

P.U.S.H. (Pray Until Serenity Happens). It has a remarkable way of producing solace, peace, patience and tranquility and of course resolution...God's always available 24/7.

The world begins and ends everyday for someone.  We are all human. We all experience birth, life and death. We all have flaws but we also all have the gift of knowledge and free will, make the most of these gifts. Life on earth is a stepping stone to our eternal home in Heaven. Its your choice whether to rise towards eternal light or lost to eternal darkness. Material items, though needed for sustenance and survival on earth are of earthly value only. The only thing that passes from this earth to Purgatory and/or Heaven is our Soul, our Spirit...it's God's perpetual gift to us...Embrace it, treasure it, nurture it, protect it...

"Raise not a hand to another unless it is to offer in peace and goodwill." ~ Zarya Parx 2012

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Prayers for Today: Monday in Easter

Rosary - Joyful Mysteries

Divine Mercy Chaplet

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 Papam Franciscus
(Pope Francis)

Pope Francis April 15 Homily :

Calumny destroys the work of God in people

(2013-04-15 Vatican Radio)
(Vatican Radio) The destructive force of calumny was the focus of Pope Francis’ homily for Mass on Monday morning celebrated with staff from the Vatican’s telecommunications office and internet services. 

The Pope drew inspiration from the daily readings, in particular the first reading that recounts the episode of Stephen, the first martyr of the Church, being dragged before the Sanhedrin because of his witness to the Gospel. Pope Francis noted that Stephen was a victim of calumny. He is accused of “false witness” but it is not a “fair fight, a fight between good men”, noted Pope Francis, because Stephen’s enemies chose the path of a dirty fight, “the path of calumny”. Calumny he continued is worse than sin - it is the direct expression of Satan.
"We are all sinners; all of us. We all commit sins. But calumny is something else. It is of course a sin, too, but it is something more. Calumny aims to destroy the work of God, and calumny comes from a very evil thing: it is born of hatred. And hate is the work of Satan. Calumny destroys the work of God in people, in their souls. Calumny uses lies to get ahead. And let us be in no doubt, eh?: Where there is calumny, there is Satan himself. "
From the behaviour of the accusers, Pope Francis then turned his attention to the accused. Stephan, he noted, does not return falsehood with falsehood: "He does not want to go that way to save himself. He looks to the Lord and obeys the law", being in the peace and truth of Christ. And that Pope Francis said “is what happens in the history of the Church", because from the first martyr until today there have been numerous examples of those who have witnessed to the Gospel with great courage:

"But the age of martyrs is not yet over, even today we can say, in truth, that the Church has more martyrs now than during the first centuries. The Church has many men and women who are maligned through calumny, who are persecuted, who are killed in hatred of Jesus, in hatred of the faith: some are killed because they teach the catechism, others are killed because they wear the cross ... Today, in many countries, they are maligned, they are persecuted ... they are our brothers and sisters who are suffering today, in this age of the martyrs".

And again Pope Francis repeated “The age of martyrs is not yet over, the Church has more martyrs now than during the first centuries". This age of “such great spiritual turmoil” reminded the Pope of an ancient Russian icon that depicts Our Lady covering the people of God with her mantle:

"We pray to Our Lady to protect us, and in times of spiritual turbulence the safest place is under the mantle of Our Lady. She is the mother who takes care of the Church. And in this time of martyrs, she is the protagonist, the protagonist of protection: She is the Mother. (...) Let us state with faith: Mother, the Church is under your protection: Care for the Church. '"

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Liturgical Celebrations to be presided over by Pope: April–May

Vatican City, 3 April 2013 (VIS)
Following is the calendar of celebrations scheduled to be presided over by the Holy Father in the months of April and May, 2013:


APRIL
7 April, Second Sunday of Easter, or Divine Mercy Sunday: 5:30pm,Mass in the Basilica of St. John Lateran for the Bishop of Rome to take possession of the Roman cathedra.

14 April, Sunday: 5:30pm, Mass in the Basilica of St. Paul Outside-the-Walls

21 April, Sunday: 9:30am, Mass and priestly ordinations in St. Peter's Basilica.

28 April, Sunday: 10:00am, Mass and confirmations in St. Peter's Square.


MAY
4 May, Saturday: 6:00pm, Recitation of the Rosary in the Basilica of St. Mary Major.

5 May, Sunday: 10:00am, Mass for Confraternities in St. Peter's Square.

12 May, Sunday: 9:30am, Mass and canonizations of Blesseds Antonio Primaldo and Companions; Laura di Santa Caterina da Siena Montoya y Upegui; and Maria Guadalupe Garcia Zavala.

18 May, Saturday: 6:00pm, Pentecost Vigil in St. Peter's Square with the participation of ecclesial movements.

19 May, Pentecost Sunday: 10:00am, Mass in St. Peter's Square with the participation of ecclesial movements.

Reference: 

• Vatican News. From the Pope. © Copyright 2013 - Libreria Editrice Vaticana. Accessed 04/11/2013.

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April 2, 2013 Our Lady of Medjugorje Message to the World:"Dear children, I am calling you to be one with my Son in spirit. I am calling you, through prayer, and the Holy Mass when my Son unites Himself with you in a special way, to try to be like Him; that, like Him, you may always be ready to carry out God's will and not seek the fulfillment of your own. Because, my children, it is according to God's will that you are and that you exist, and without God's will you are nothing. As a mother I am asking you to speak about the glory of God with your life because, in that way, you will also glorify yourself in accordance to His will. Show humility and love for your neighbour to everyone. Through such humility and love, my Son saved you and opened the way for you to the Heavenly Father. I implore you to keep opening the way to the Heavenly Father for all those who have not come to know Him and have not opened their hearts to His love. By your life, open the way to all those who still wander in search of the truth. My children, be my apostles who have not lived in vain. Do not forget that you will come before the Heavenly Father and tell Him about yourself. Be ready! Again I am warning you, pray for those whom my Son called, whose hands He blessed and whom He gave as a gift to you. Pray, pray, pray for your shepherds. Thank you." 

March 25, 2013 Our Lady of Medjugorje Message to the World:
“Dear children! In this time of grace I call you to take the cross of my beloved Son Jesus in your hands and to meditate on His passion and death. May your suffering be united in His suffering and love will win, because He who is love gave Himself out of love to save each of you. Pray, pray, pray until love and peace begin to reign in your hearts. Thank you for having responded to my call.”

March 18, 2013 Message to the World via Annual Apparition to Mirjana:
"Dear children! I call you to, with complete trust and joy, bless the name of the Lord and, day by day, to give Him thanks from the heart for His great love. My Son, through that love which He showed by the Cross, gave you the possibility to be forgiven for everything; so that you do not have to be ashamed or to hide, and out of fear not to open the door of your heart to my Son. To the contrary, my children, reconcile with the Heavenly Father so that you may be able to come to love yourselves as my Son loves you. When you come to love yourselves, you will also love others; in them you will see my Son and recognize the greatness of His love. Live in faith! Through me, my Son is preparing you for the works which He desires to do through you – works through which He desires to be glorified. Give Him thanks. Especially thank Him for the shepherds - for your intercessors in the reconciliation with the Heavenly Father. I am thanking you, my children. Thank you."

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Today's Word:  Calumny  cal·um·ny  [kal-uhm-nee]  

Origin: 1400–50; late Middle English  < Latin calumnia,  equivalent to calumn-,  perhaps originally a middle participle of calvī  to deceive + -ia -y³ )

noun, plural cal·um·nies.

1. a false and malicious statement designed to injure the reputation of someone or something: The speech was considered a calumny of the administration.

2. the act of uttering calumnies; slander; defamation.

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Today's Old Testament Reading -   Psalms 119:23-30

²³ Though princes sit plotting against me, your servant keeps pondering your will.

²⁴ Your instructions are my delight, your wishes my counsellors.

²⁶ I tell you my ways and you answer me; teach me your wishes.

²⁷ Show me the way of your precepts, that I may reflect on your wonders.

²⁹ Keep me far from the way of deceit, grant me the grace of your Law.

³⁰ I have chosen the way of constancy, I have moulded myself to your judgements

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Today's Epistle -   Acts 6:8-15

⁸ Stephen was filled with grace and power and began to work miracles and great signs among the people.

⁹ Then certain people came forward to debate with Stephen, some from Cyrene and Alexandria who were members of the synagogue called the Synagogue of Freedmen, and others from Cilicia and Asia.

¹⁰ They found they could not stand up against him because of his wisdom, and the Spirit that prompted what he said.

¹¹ So they procured some men to say, 'We heard him using blasphemous language against Moses and against God.'

¹² Having turned the people against him as well as the elders and scribes, they took Stephen by surprise, and arrested him and brought him before the Sanhedrin.

¹³ There they put up false witnesses to say, 'This man is always making speeches against this Holy Place and the Law.

¹⁴ We have heard him say that Jesus, this Nazarene, is going to destroy this Place and alter the traditions that Moses handed down to us.'

¹⁵ The members of the Sanhedrin all looked intently at Stephen, and his face appeared to them like the face of an angel.

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Today's Gospel Reading - John 6:22-29

 

 

Next day, the crowd that had stayed on the other side saw that only one boat had been there, and that Jesus had not got into the boat with his disciples, but that the disciples had set off by themselves. Other boats, however, had put in from Tiberias, near the place where the bread had been eaten. When the people saw that neither Jesus nor his disciples were there, they got into those boats and crossed to Capernaum to look for Jesus. When they found him on the other side, they said to him, 'Rabbi, when did you come here?' Jesus answered: In all truth I tell you, you are looking for me not because you have seen the signs but because you had all the bread you wanted to eat. Do not work for food that goes bad, but work for food that endures for eternal life, which the Son of man will give you, for on him the Father, God himself, has set his seal. Then they said to him, 'What must we do if we are to carry out God's work?' Jesus gave them this answer, 'This is carrying out God's work: you must believe in the one he has sent.'

 

 

Reflection

• In today’s Gospel we begin the Discourse on the Bread of Life (Jn 6, 22-71), which is extended during the next six days, until the end of the week. After the multiplication of the loaves, the people follow Jesus. They had seen the miracle; they had eaten and were satiated and wanted more! They were not concerned about looking for the sign or the call of God that was contained in all of this. When the people found Jesus in the Synagogue of Capernaum, he had a long conversation with them, called the Discourse of the Bread of Life. It is not really a Discourse, but it treats of a series of seven brief dialogues which explain the meaning of the multiplication of the bread, symbol of the new Exodus and of the Eucharistic Supper.
• It is good to keep in mind the division of the chapter in order to understand better its significance:
6, 1-15: the great multiplication of the loaves
6, 16-21: the crossing of the lake, and Jesus who walks on the water
6, 22-71: the dialogue of Jesus with the people, with the Jews and with the disciples
1st dialogue: 6, 22-27 with the people: the people seek Jesus and find him in Capernaum
2nd dialogue: 6, 28-34 with the people: faith as the work of God and the manna of the desert
3rd dialogue: 6, 35-40 with the people: the true bread is to do God’s will.
4th dialogue: 6, 41-51 with the Jews: the complaining of the Jews
5th dialogue: 6, 52-58 with the Jews: Jesus and the Jews.
6th dialogue: 6, 59-66 with the disciples: reaction of the disciples
7th dialogue: 6, 67-71 with the disciples: confession of Peter

• The conversation of Jesus with the people, with the Jews and with the disciples is a beautiful dialogue, but a demanding one. Jesus tries to open the eyes of the people in a way that they will learn to read the events and discover in them the turning point that life should take. Because it is not enough to follow behind miraculous signs which multiply the bread for the body. Man does not live by bread alone. The struggle for life without mysticism does not reach the roots. The people, while speaking with Jesus, always remain more annoyed or upset by his words. But Jesus does not give in, neither does he change the exigencies. The discourse seems to be a funnel. In the measure in which the conversation advances, less people remain with Jesus. At the end only the twelve remain there, but Jesus cannot trust them either! Today the same thing happens. When the Gospel beings to demand commitment, many people withdraw, go away.

• John 6, 22-27: People look for Jesus because they want more bread. The people follow Jesus. They see that he did not go into the boat with the disciples and, because of this, they do not understand what he had done to reach Capernaum. They did not even understand the miracle of the multiplication of the loaves. People see what has happened, but they cannot understand all this as a sign of something more profound. They stop only on the surface; in being satisfied with the food. They look for bread and life, but only for the body. According to the people, Jesus does what Moses had done in the past: to feed all the people in the desert. According to Jesus, they wanted the past to be repeated. But Jesus asks the people to take a step more and advance. Besides working for the bread that perishes, they should work for the imperishable food. This new food will be given by the Son of Man, indicated by God himself. He brings life which lasts forever. He opens for us a new horizon on the sense of life and on God.

• John 6, 28-29: Which is God’s work? The people ask: what should we do to carry out this work of God? Jesus answers that the great work of God asks us to “believe in the one sent by God”. That is, to believe in Jesus!

 

 

Personal questions

• The people were hungry, they eat the bread and they look for more bread. They seek the miracle and do not seek the sign of God who was hidden in that. What do I seek more in my life: the miracle or the sign?
• Keep silence within you for a moment and ask yourself: “To believe in Jesus: What does this mean for me concretely in my daily life?”

 

Reference: Courtesy of Order of Carmelites, www.ocarm.org.

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Featured Item of the Day from Litany Lane

Our Mother of Perpetual Help Ipad Cases by LitanyLane

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Saint of the Day:  Saint Hunna

Feast Day:  April  15

Patron Saint:  laundresses, laundry workers, washerwomen

Attributes:  n/a

 

Saint Hunna (Una) (died 679) is a French saint. She was the daughter of a duke, and later married Huno of Hunnawetyer. She devoted herself to serving the poor women of Strasbourg, France. She provided them baths of milk, earning her the name "the Holy Milkmaid".

Her son was baptized by Deodatus of Nevers and was therefore also called Deodatus. Her son is also venerated as a saint.^[1]

Veneration

Hunna was canonized in 1520 by Pope Leo X. Her feast day is celebrated on April 15.

References

1. ^ Patron Saints Index: Saint Hunna

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Featured Items Panel from Litany Lane

 

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Today's Snippet I:  Strasbourg France

Strasbourg is the capital and principal city of the Alsace region in eastern France and is the official seat of the European Parliament. Located close to the border with Germany, it is the capital of the Bas-Rhin département. The city and the region of Alsace are historically German-speaking, explaining the city's Germanic name. In 2006, the city proper had 272,975 inhabitants and its urban community 467,375 inhabitants. With 759,868 inhabitants in 2010, Strasbourg's metropolitan area (aire urbaine) (only the part of the metropolitan area on French territory) is the ninth largest in France. The transnational Eurodistrict Strasbourg-Ortenau had a population of 884,988 inhabitants in 2008.

Strasbourg is the seat of several European institutions, such as the Council of Europe (with its European Court of Human Rights, its European Directorate for the Quality of Medicines and its European Audiovisual Observatory) and the Eurocorps, as well as the European Parliament and the European Ombudsman of the European Union. The city is the seat of the Central Commission for Navigation on the Rhine.

Strasbourg's historic city centre, the Grande Île (Grand Island), was classified a World Heritage site by UNESCO in 1988, the first time such an honour was placed on an entire city centre. Strasbourg is fused into the Franco-German culture and although violently disputed throughout history, has been a bridge of unity between France and Germany for centuries, especially through the University of Strasbourg, currently the largest in France, and the coexistence of Catholic and Protestant culture. The largest Islamic place of worship in France, the Strasbourg Grand Mosque, was inaugurated by French Interior Minister Manuel Valls on 27 September 2012.

Economically, Strasbourg is an important centre of manufacturing and engineering, as well as of road, rail, and river communications. The port of Strasbourg is the second largest on the Rhine after Duisburg, Germany. In terms of city rankings, Strasbourg has been ranked third in France and 18th globally for innovation.

Etymology

The city's Gallicized name is of Germanic origin and means "Town (at the crossing) of roads". The modern Stras- is cognate to the German Straße / Strasse which itself is derived from Latin strata ("street"), while -bourg (French for "village") is cognate to the German -burg ("fortress, town, citadel") and English borough. So the whole name would be roughly translated into English as "Fortress on the Street", or better, "Fortress on the Road" (or crossroads).

Geography

Strasbourg is situated on the Ill River, where it flows into the Rhine on the border with Germany, across from the German town Kehl. The city lies in the Upper Rhine Plain, approximately 20 km (12 mi) east of the Vosges Mountains and 25 km (16 mi) west of the Black Forest.

The location and the resulting poor natural ventilation makes Strasbourg one of the most atmospherically polluted cities of France, although the progressive disappearance of heavy industry on both banks of the Rhine, as well as effective measures of traffic regulation in and around the city are showing encouraging results. The Grand contournement ouest (GCO) project, nurtured since 1999, plans the construction of a 24 km (15 mi) long highway connection between the junctions of the A 4 and the A 35 autoroutes in the north and of the A4 and the A352 and A35 autoroutes in the south, meant to divest another significant portion of motorized traffic from the unité urbaine.

History

Prehistory

The first traces of human occupation in the environs of Strasbourg go back 600,000 years. Neolithic, bronze age and iron age artifacts have been uncovered by archeological excavations. It was permanently settled by proto-Celts around 1300 BC. Towards the end of the third century BC, it developed into a Celtish township with a market called "Argentorate". Drainage works converted the stilthouses to houses built on dry land.

From Romans to Renaissance

Argentoratum

The Romans under Nero Claudius Drusus established a military outpost belonging to the Germania Superior Roman province at Strasbourg's current location, and named it Argentoratum. (Hence the town is commonly called Argentina in medieval Latin.) The name "Argentoratum" was first mentioned in 12 BC and the city celebrated its 2,000th birthday in 1988. "Argentorate" as the toponym of the Gaulish settlement preceding it before being Latinized, but it is not known by how long. The Roman camp was destroyed by fire and rebuilt six times between the first and the fifth centuries AD: in 70, 97, 235, 355, in the last quarter of the fourth century, and in the early years of the fifth century. It was under Trajan and after the fire of 97 that Argentoratum received its most extended and fortified shape. From the year 90 on, the Legio VIII Augusta was permanently stationed in the Roman camp of Argentoratum. It then included a cavalry section and covered an area of approximately 20 hectares. Other Roman legions temporarily stationed in Argentoratum were the Legio XIV Gemina and the Legio XXI Rapax, the latter during the reign of Nero.

The centre of Argentoratum proper was situated on the Grande Île (Cardo: current Rue du Dôme, Decumanus: current Rue des Hallebardes). The outline of the Roman "castrum" is visible in the street pattern in the Grande Ile. Many Roman artifacts have also been found along the current Route des Romains, the road that lead to Argentoratum, in the suburb of Kœnigshoffen. This was where the largest burial places were situated, as well as the densest concentration of civilian dwelling places and commerces next to the camp. Among the most outstanding finds in Kœnigshoffen were (found in 1911–12) the fragments of a grand Mithraeum that had been shattered by early Christians in the fourth century. From the fourth century, Strasbourg was the seat of the Bishopric of Strasbourg (made an Archbishopric in 1988). Archaeological excavations below the current Église Saint-Étienne in 1948 and 1956 unearthed the apse of a church dating back to the late fourth or early fifth century, considered to be the oldest church in Alsace. It is supposed that this was the first seat of the Roman Catholic Diocese of Strasbourg.

The Alemanni fought a Battle of Argentoratum against Rome in 357. They were defeated by Julian, later Emperor of Rome, and their King Chonodomarius was taken prisoner. On 2 January 366, the Alemanni crossed the frozen Rhine in large numbers to invade the Roman Empire. Early in the fifth century, the Alemanni appear to have crossed the Rhine, conquered, and then settled what is today Alsace and a large part of Switzerland.

Imperial city

The town was occupied successively in the fifth century by Alemanni, Huns and Franks. In the ninth century it was commonly known as Strazburg in the local language, as documented in 842 by the Oaths of Strasbourg. This trilingual text contains, alongside texts in Latin and Old High German (teudisca lingua), the oldest written variety of Gallo-Romance (lingua romana) clearly distinct from Latin, the ancestor of Old French. The town was also called Stratisburgum or Strateburgus in Latin, from which later came Strossburi in Alsatian and Straßburg in Standard German, and then Strasbourg in French. The Oaths of Strasbourg is considered as marking the birth of the two countries of France and Germany with the division of the Carolingian Empire.

A major commercial centre, the town came under control of the Holy Roman Empire in 923, through the homage paid by the Duke of Lorraine to German King Henry I. The early history of Strasbourg consists of a long conflict between its bishop and its citizens. The citizens emerged victorious after the Battle of Oberhausbergen in 1262, when King Philip of Swabia granted the city the status of an Imperial Free City.

Around 1200, Gottfried von Straßburg wrote the Middle High German courtly romance Tristan, which is regarded, alongside Wolfram von Eschenbach's Parzival and the Nibelungenlied, as one of great narrative masterpieces of the German Middle Ages.

A revolution in 1332 resulted in a broad-based city government with participation of the guilds, and Strasbourg declared itself a free republic. The deadly bubonic plague of 1348 was followed on 14 February 1349 by one of the first and worst pogroms in pre-modern history: several hundred Jews were publicly burnt to death, with the remainder of the Jewish population being expelled from the city. Until the end of the 18th century, Jews were forbidden to remain in town after 10 pm. The time to leave the city was signalled by a municipal herald blowing the Grüselhorn (see below, Museums, Musée historique);. A special tax, the Pflastergeld (pavement money), was furthermore to be paid for any horse that a Jew would ride or bring into the city while allowed to.

Strasbourg Cathedral, on which construction began in the twelfth century, was completed in 1439 (though only the north tower was built) and became the World's Tallest Building, surpassing the Great Pyramid of Giza. A few years later, Johannes Gutenberg created the first European moveable type printing press in Strasbourg.

In July 1518, an incident known as the Dancing Plague of 1518 struck residents of Strasbourg. Around 400 people were afflicted with dancing mania and danced constantly for weeks, most of them eventually dying from heart attack, stroke or exhaustion.

In the 1520s during the Protestant Reformation, the city, under the political guidance of Jacob Sturm von Sturmeck and the spiritual guidance of Martin Bucer embraced the religious teachings of Martin Luther. Their adherents established a Gymnasium, headed by Johannes Sturm, made into a University in the following century. The city first followed the Tetrapolitan Confession, and then the Augsburg Confession. Protestant iconoclasm caused much destruction to churches and cloisters. Strasbourg was a centre of humanist scholarship and early book-printing in the Holy Roman Empire, and its intellectual and political influence contributed much to the establishment of Protestantism as an accepted denomination in the southwest of Germany. (John Calvin spent several years as a political refugee in the city). The Strasbourg Councillor Sturm and guildmaster Matthias represented the city at the Imperial Diet of Speyer (1529), where their protest lead to the schism of the Catholic Church and the evolution of Protestantism. Together with four other free cities, Strasbourg presented the confessio tetrapolitana as its Protestant book of faith at the Imperial Diet of Augsburg in 1530, where the slightly different Augsburg Confession was also handed over to Charles V, Holy Roman Emperor.

After the reform of the Imperial constitution in the early sixteenth century and the establishment of Imperial Circles, Strasbourg was part of the Upper Rhenish Circle, a corporation of Imperial estates in the southwest of Holy Roman Empire, mainly responsible for maintaining troops, supervising coining, and ensuring public security.

After the invention of the printing press by Johannes Gutenberg around 1440, the first printing offices outside the inventor's hometown Mainz were established around 1460 in Strasbourg by pioneers Johannes Mentelin and Heinrich Eggestein. Subsequently, the first modern newspaper was published in Strasbourg in 1605, when Johann Carolus received the permission by the City of Strasbourg to print and distribute a weekly journal written in German by reporters from several central European cities.

From Thirty Years' War to First World War

The Duke of Lorraine and Imperial troops crossing the Rhine before Strasbourg during the War of the Austrian Succession, 1744

 

 

The Free City of Strasbourg remained neutral during the Thirty Years' War. In September 1681 it was annexed by King Louis XIV of France, whose unprovoked annexation was recognized by the Treaty of Ryswick (1697). The official policy of religious intolerance which drove most Protestants from France after the revocation of the Edict of Nantes in 1685 was not applied in Strasbourg and in Alsace, because both had a special status as a province à l'instar de l'étranger effectif (a kind of foreign province of the king of France). Strasbourg Cathedral, however, was restored from the Lutherans to the Catholics and the French authorities tried to promote Catholicism wherever they could. The German Lutheran university persisted until the French Revolution. Famous students were Goethe and Herder.

During a dinner in Strasbourg organized by Mayor Frédéric de Dietrich on 25 April 1792, Claude Joseph Rouget de Lisle composed "La Marseillaise". However, Strasbourg's status as a free city was revoked by the French Revolution. Enragés, most notoriously Eulogius Schneider, ruled the city with an increasingly iron hand. During this time, many churches and cloisters were either destroyed or severely damaged. The cathedral lost hundreds of its statues (later replaced by copies in the 19th century) and in April 1794, there was talk of tearing its spire down, on the grounds that it hurt the principle of equality. The tower was saved, however, when in May of the same year citizens of Strasbourg crowned it with a giant tin Phrygian cap. This artifact was later kept in the historical collections of the city until they were all destroyed in 1870.

In 1805, 1806 and 1809, Napoléon Bonaparte and his first wife, Joséphine stayed in Strasbourg. In 1810, his second wife Marie Louise, Duchess of Parma spent her first night on French soil in the palace. Another royal guest was King Charles X of France in 1828. In 1836, Louis-Napoléon Bonaparte unsuccessfully tried to lead his first Bonapartist coup in Strasbourg.

Strasbourg in the 1890s.

1888 German map of Strasbourg as part of the German Empire

With the growth of industry and commerce, the city's population tripled in the 19th century to 150,000. During the Franco-Prussian War and the Siege of Strasbourg, the city was heavily bombarded by the Prussian army. On 24 August 1870, the Museum of Fine Arts was destroyed by fire, as was the Municipal Library housed in the Gothic former Dominican Church, with its unique collection of medieval manuscripts (most famously the Hortus deliciarum), rare Renaissance books, archeological finds and historical artifacts. During the Franco-Prussian War, the need for accurate maps in military use is exemplified by the incident at Strasbourg’s municipal library. The city library had been marked erroneously as “City Hall” in a French commercial map, which had been captured and used by the German artillery to lay their guns. A librarian from Munich later pointed out “…that the destruction of the precious collection was not the fault of a German artillery officer, who used the French map, but of the slovenly and inaccurate scholarship of a Frenchman.” In 1871 after the war's end, the city was annexed to the newly established German Empire as part of the Reichsland Elsaß-Lothringen (via the Treaty of Frankfurt). As part of Imperial Germany, Strasbourg was rebuilt and developed on a grand and representative scale (the Neue Stadt, or "new city"). Historian Rodolphe Reuss and Art historian Wilhelm von Bode were in charge of rebuilding the municipal archives, libraries and museums. The University, founded in 1567 and suppressed during the French Revolution as a stronghold of German sentiment, was reopened in 1872 under the name Kaiser-Wilhelms-Universität. A belt of massive fortifications was established around the city, most of which still stand today, renamed after French generals and generally classified as Monuments historiques; most notably Fort Roon (now Fort Desaix) and Fort Podbielski (now Fort Ducrot) in Mundolsheim, Fort von Moltke (now Fort Rapp) in Reichstett, Fort Bismarck (now Fort Kléber) in Wolfisheim, Fort Kronprinz (now Fort Foch) in Niederhausbergen, Fort Kronprinz von Sachsen (now Fort Joffre) in Holtzheim and Fort Großherzog von Baden (now Fort Frère) in Oberhausbergen. Those forts subsequently served the French army (Fort Podbielski/Ducrot for instance was integrated into the Maginot Line), and were used as POW-camps in 1918 and 1945. Two garrison churches were also erected for the members of the Imperial German army, the Lutheran Église Saint-Paul and the Roman Catholic Église Saint-Maurice.

1918 to the present

Strasbourg's monumental Romanesque revival synagogue did not survive the Nazi invasion of the city.

After World War I and the abdication of the German Emperor, some revolutionary insurgents declared Alsace-Lorraine as an independent Republic, without preliminary referendum or vote. On 11 November 1918 (Armistice Day), communist insurgents proclaimed a "soviet government" in Strasbourg, following the example of Kurt Eisner in Munich as well as other German towns. The insurgency was brutally repressed on 22 November by troops commanded by French general Henri Gouraud; a major street of the city now bears the name of that date (Rue du 22 Novembre). In 1919, the Treaty of Versailles reattributed the city to France. In accordance with U.S. President Woodrow Wilson's "Fourteen Points", the return of the city to France was carried out without a referendum. The date of the assignment was retroactively established on Armistice Day. It is doubtful whether a referendum among the citizens of Strasbourg would have been in France's favor, because the political parties that strove for an autonomy of Alsace, or a connection to France, had achieved only small numbers of votes in the last Reichstag elections before the War.

In 1920, Strasbourg became the seat of the Central Commission for Navigation on the Rhine, previously located in Mannheim, one of the oldest European institutions. It moved into the former Imperial Palace.

When the Maginot Line was built, the Sous-secteur fortifié de Strasbourg (fortified sub-sector of Strasbourg) was laid out on the city's territory as a part of the Secteur fortifié du Bas-Rhin, one of the sections of the Line. Blockhouses and casemates were built along the Grand Canal d'Alsace and the Rhine in the Robertsau forest and the port.

Between the German invasion of Poland on 1 September 1939 and the Anglo-French declaration of War against the German Reich on 3 September 1939, the entire city (a total of 120 000 people) was evacuated, like other border towns as well. Until the arrival of the Wehrmacht troops mid-June 1940, the city was, for ten months, completely empty, with the exception of the garrisoned soldiers. The Jews of Strasbourg had been evacuated to Périgueux and Limoges, the University had been evacuated to Clermont-Ferrand.

After the ceasefire following the Fall of France in June 1940, Alsace was annexed to Germany and a rigorous policy of Germanization was imposed upon it by the Gauleiter Robert Heinrich Wagner. When, in July 1940, the first evacuees were allowed to return, only residents of Alsatian origin were admitted. The last Jews were expelled on 15 July 1940 and the main synagogue, a huge Romanesque revival building that had been a major architectural landmark with its 54-metre-high dome since its completion in 1897, was set ablaze, then razed.^[33] From 1943 the city was bombarded by Allied aircraft. While the First World War had not notably damaged the city, Anglo-American bombing caused extensive destruction in raids of which at least one was allegedly carried out by mistake. In August 1944, several buildings in the Old Town were damaged by bombs, particularly the Palais Rohan, the Old Customs House (Ancienne Douane) and the Cathedral. On 23 November 1944, the city was officially liberated by the 2nd French Armored Division under General Leclerc. In 1947, a fire broke out in the Musée des Beaux-Arts and devastated a significant part of the collections. This fire was an indirect consequence of the bombing raids of 1944: because of the destructions inflicted on the Palais Rohan, humidity had infiltrated the building, and moisture had to be fought. This was done with welding torches, and a bad handling of these caused the fire.

In the 1950s and 1960s the city was enlarged by new residential areas meant to solve both the problem of housing shortage due to war damage and that of the strong growth of population due to the baby boom and immigration from North Africa: Cité Rotterdam in the North-East, Quartier de l'Esplanade in the South-East, Hautepierre in the North-West. Between 1995 and 2010, a new district has been built in the same vein, the Quartier des Poteries, south of Hautepierre.

In 1958, a violent hailstorm destroyed most of the historical greenhouses of the Botanical Garden and many of the stained glass windows of St. Paul's Church.

In 1949, the city was chosen to be the seat of the Council of Europe with its European Court of Human Rights and European Pharmacopoeia. Since 1952, the European Parliament has met in Strasbourg, which was formally designated its official 'seat' at the Edinburgh meeting of the European Council of EU heads of state and government in December 1992. (This position was reconfirmed and given treaty status in the 1997 Treaty of Amsterdam). However, only the (four-day) plenary sessions of the Parliament are held in Strasbourg each month, with all other business being conducted in Brussels and Luxembourg. Those sessions take place in the Immeuble Louise Weiss, inaugurated in 1999, which houses the largest parliamentary assembly room in Europe and of any democratic institution in the world. Before that, the EP sessions had to take place in the main Council of Europe building, the Palace of Europe, whose unusual inner architecture had become a familiar sight to European TV audiences. In 1992, Strasbourg became the seat of the Franco-German TV channel and movie-production society Arte.

In 2000, an Islamist plot to blow up the cathedral was prevented by German authorities. On 6 July 2001, during an open-air concert in the Parc de Pourtalès, a single falling Platanus tree killed thirteen people and injured 97. On 27 March 2007, the city was found guilty of neglect over the accident and fined € 150,000.[38]

In 2006, after a long and careful restoration, the inner decoration of the Aubette, made in the 1920s by Hans Arp, Theo van Doesburg, and Sophie Taeuber-Arp and destroyed in the 1930s, was made accessible to the public again. The work of the three artists had been called "the Sistine Chapel of abstract art".

Architecture

Strasbourg, Cathedral of Our Lady.

The city is chiefly known for its sandstone Gothic Cathedral with its famous astronomical clock, and for its medieval cityscape of Rhineland black and white timber-framed buildings, particularly in the Petite-France district or Gerberviertel ("tanners' district") alongside the Ill and in the streets and squares surrounding the cathedral, where the renowned Maison Kammerzell stands out.

Notable medieval streets include Rue Mercière, Rue des Dentelles, Rue du Bain aux Plantes, Rue des Juifs, Rue des Frères, Rue des Tonneliers, Rue du Maroquin, Rue des Charpentiers, Rue des Serruriers, Grand' Rue, Quai des Bateliers, Quai Saint-Nicolas and Quai Saint-Thomas. Notable medieval squares include Place de la Cathédrale, Place du Marché Gayot, Place Saint-Étienne, Place du Marché aux Cochons de Lait and Place Benjamin Zix.

View of the River Ill with Église Saint-Thomas.

In addition to the cathedral, Strasbourg houses several other medieval churches that have survived the many wars and destructions that have plagued the city: the Romanesque Église Saint-Étienne, partly destroyed in 1944 by Anglo-American bombing raids, the part Romanesque, part Gothic, very large Église Saint-Thomas with its Silbermann organ on which Wolfgang Amadeus Mozart and Albert Schweitzer played, the Gothic Eglise Saint-Pierre-le-Jeune Protestant with its crypt dating back to the seventh century and its cloister partly from the eleventh century, the Gothic Église Saint-Guillaume with its fine early-Renaissance stained glass and furniture, the Gothic Église Saint-Jean, the part Gothic, part Art Nouveau Église Sainte-Madeleine, etc. The Neo-Gothic church Saint-Pierre-le-Vieux Catholique (there is also an adjacent church Saint-Pierre-le-Vieux Protestant) serves as a shrine for several 15th-century wood worked and painted altars coming from other, now destroyed churches and installed there for public display. Among the numerous secular medieval buildings, the monumental Ancienne Douane (old custom-house) stands out.

The German Renaissance has bequeathed the city some noteworthy buildings (especially the current Chambre de Commerce et d'Industrie, former town hall, on Place Gutenberg), as did the French Baroque and Classicism with several hôtels particuliers (i.e. palaces), among which the Palais Rohan (now housing three museums) is the most spectacular. Other buildings of its kind are the Hôtel du Préfet, the Hôtel des Deux-Ponts and the city-hall Hôtel de Ville etc. The largest baroque building of Strasbourg though is the 1720s main building of the Hôpital civil. As for French Neo-classicism, it is the Opera House on Place Broglie that most prestigiously represents this style.

Strasbourg also offers high-class eclecticist buildings in its very extended German district, being the main memory of Wilhelmian architecture since most of the major cities in Germany proper suffered intensive damage during World War II. Streets, boulevards and avenues are homogeneous, surprisingly high (up to seven stories) and broad examples of German urban lay-out and of this architectural style that summons and mixes up five centuries of European architecture as well as Neo-Egyptian, Neo-Greek and Neo-Babylonian styles. The former imperial palace Palais du Rhin, the most political and thus heavily criticized of all German Strasbourg buildings epitomizes the grand scale and stylistic sturdiness of this period. But the two most handsome and ornate buildings of these times are the École internationale des Pontonniers (the former Höhere Mädchenschule, girls college) with its towers, turrets and multiple round and square angles and the École des Arts décoratifs with its lavishly ornate façade of painted bricks, woodwork and majolica.

The baroque organ of the Église Saint-Thomas

Notable streets of the German district include: Avenue de la Forêt Noire, Avenue des Vosges, Avenue d'Alsace, Avenue de la Marseillaise, Avenue de la Liberté, Boulevard de la Victoire, Rue Sellénick, Rue du Général de Castelnau, Rue du Maréchal Foch, and Rue du Maréchal Joffre. Notable squares of the German district include: Place de la République, Place de l'Université, Place Brant, and Place Arnold. Impressive examples of Prussian military architecture of the 1880s can be found along the newly reopened Rue du Rempart, displaying large scale fortifications among which the aptly named Kriegstor (war gate).

As for modern and contemporary architecture, Strasbourg possesses some fine Art Nouveau buildings (the huge Palais des Fêtes, some houses and villas on Avenue de la Robertsau and Rue Sleidan), good examples of post-World War II functional architecture (the Cité Rotterdam, for which Le Corbusier did not succeed in the architectural contest) and, in the very extended Quartier Européen, some spectacular administrative buildings of sometimes utterly large size, among which the European Court of Human Rights building by Richard Rogers is arguably the finest. Other noticeable contemporary buildings are the new Music school Cité de la Musique et de la Danse, the Musée d'Art moderne et contemporain and the Hôtel du Département facing it, as well as, in the outskirts, the tramway-station Hoenheim-Nord designed by Zaha Hadid. The city has many bridges, including the medieval, four-towered Ponts Couverts.

Place Kléber

Next to it is a part of the 17th-century Vauban fortifications, the Barrage Vauban. Other bridges are the ornate 19th-century Pont de la Fonderie (1893, stone) and Pont d'Auvergne (1892, iron), as well as architect Marc Mimram's futuristic Passerelle over the Rhine, opened in 2004.

The largest square at the centre of the city of Strasbourg is the Place Kléber. Located in the heart of the city's commercial area, it was named after general Jean-Baptiste Kléber, born in Strasbourg in 1753 and assassinated in 1800 in Cairo. In the square is a statue of Kléber, under which is a vault containing his remains. On the north side of the square is the Aubette (Orderly Room), built by Jacques François Blondel, architect of the king, in 1765–1772.

Parks

The Château de Pourtalès (front side) in the park of the same name

 

Strasbourg features a number of prominent parks, of which several are of cultural and historical interest: the Parc de l'Orangerie, laid out as a French garden by André le Nôtre and remodeled as an English garden on behalf of Joséphine de Beauharnais, now displaying noteworthy French gardens, a neo-classical castle and a small zoo; the Parc de la Citadelle, built around impressive remains of the 17th-century fortress erected close to the Rhine by Vauban; the Parc de Pourtalès, laid out in English style around a baroque castle (heavily restored in the 19th century) that now houses a small three star hotel, and featuring an open-air museum of international contemporary sculpture. The Jardin botanique de l'Université de Strasbourg (botanical garden) was created under the German administration next to the Observatory of Strasbourg, built in 1881, and still owns some greenhouses of those times. The Parc des Contades, although the oldest park of the city, was completely remodeled after World War II. The futuristic Parc des Poteries is an example of European park-conception in the late 1990s. The Jardin des deux Rives, spread over Strasbourg and Kehl on both sides of the Rhine, is the most recent (2004) and most extended (60 hectare) park of the agglomeration.

Museums

For a city of comparatively small size, Strasbourg displays a large quantity and variety of museums:

Fine Art museums

A room in the Musée des Arts décoratifs

Unlike most other cities, Strasbourg's collections of European art are divided into several museums according not only to type and area, but also to epoch. Old master paintings from the Germanic Rhenish territories and until 1681 are displayed in the Musée de l'Œuvre Notre-Dame, old master paintings from all the rest of Europe (including the Dutch Rhenish territories) and until 1871 as well as old master paintings from the Germanic Rhenish territories between 1681 and 1871 are displayed in the Musée des Beaux-Arts. Old master graphic arts until 1871 is displayed in the Cabinet des estampes et dessins. Decorative arts until 1681 ("German period") are displayed in the Musée de l'Œuvre Notre-Dame, decorative arts from 1681 to 1871 ("French period") are displayed in the Musée des Arts décoratifs. International art (painting, sculpture, graphic arts) and decorative art since 1871 is displayed in the Musée d'art moderne et contemporain. The latter museum also displays the city's photographic library.

• The Musée des Beaux-Arts owns paintings by Hans Memling, Francisco de Goya, Tintoretto, Paolo Veronese, Giotto di Bondone, Sandro Botticelli, Peter Paul Rubens, Anthony van Dyck, El Greco, Correggio, Cima da Conegliano and Piero di Cosimo, among others.
• The Musée de l'Œuvre Notre-Dame (located in a part-Gothic, part-Renaissance building next to the Cathedral) houses a large and renowned collection of medieval and Renaissance upper-Rhenish art, among which original sculptures, plans and stained glass from the Cathedral and paintings by Hans Baldung and Sebastian Stoskopff.
• The Musée d'Art moderne et contemporain is among the largest museums of its kind in France.
• The Musée des Arts décoratifs, located in the sumptuous former residence of the cardinals of Rohan, the Palais Rohan displays a reputable collection of 18th century furniture and china.
• The Cabinet des estampes et des dessins displays five centuries of engravings and drawings, but also woodcuts and lithographies.
• The Musée Tomi Ungerer/Centre international de l'illustration, located in a large former villa next to the Theatre, displays original works by Ungerer and other artists (Saul Steinberg, Ronald Searle...) as well as Ungerer's large collection of ancient toys.

 

Other museums

• The Musée archéologique presents a large display of regional findings from the first ages of man to the sixth century, focussing especially on the Roman and Celtic period.
• The Musée alsacien is dedicated to traditional Alsatian daily life.
• Le Vaisseau ("The vessel") is a science and technology centre, especially designed for children.
• The Musée historique (historical museum) is dedicated to the tumultuous history of the city and displays many artifacts of the times. The 'Grüselhorn, the horn that was blown every evening at 10:00, during medieval times, to order the Jews out of the city, is no longer displayed, having been accidentally dropped and shattered.
• The Musée de la Navigation sur le Rhin, also going by the name of Naviscope, located in an old ship, is dedicated to the history of commercial navigation on the Rhine.

University museums

The Université de Strasbourg is in charge of a number of permanent public displays of its collections of scientific artefacts and products of all kinds of exploration and research.

• The Musée zoologique is one of the oldest in France and is especially famous for its collection of birds. The museum is co-administrated by the municipality.
• The Musée de Sismologie et Magnétisme terrestre displays antique instruments of measure
• The Musée Pasteur is a collection of medical curiosities
• The Musée de minéralogie is dedicated to minerals
• The Musée d'Égyptologie houses a collections of archaeological findings made in and brought from Egypt and Sudan
• The Crypte aux étoiles ("star crypt") is situated in the vaulted basement below the Observatory of Strasbourg and displays old telescopes and other antique astronomical devices such as clocks and theodolites.

Culture

Strasbourg is the seat of internationally renowned institutions of music and drama:

• The Orchestre philharmonique de Strasbourg, founded in 1855, one of the oldest symphonic orchestras in western Europe.
• The Opéra national du Rhin
• The Théâtre national de Strasbourg
• The Percussions de Strasbourg
• The Théâtre du Maillon
• The "Laiterie"

Other theatres are the Théâtre jeune public, the TAPS Scala, the Kafteur...

Events

• Musica, international festival of contemporary classical music (autumn)
• Festival international de Strasbourg (founded in 1932), festival of classical music and jazz (summer)
• Festival des Artefacts, festival of contemporary non-classical music
• Les Nuits électroniques de l'Ososphère
• The Spectre Film Festival is an annual film festival that is devoted to science fiction, horror and fantasy.
• The Strasbourg International Film Festival is an annual film festival focusing on new and emerging independent filmmakers from around the world

References

• Connaître Strasbourg by Roland Recht, Georges Foessel and Jean-Pierre Klein, 1988, ISBN 2-7032-0185-0
• Histoire de Strasbourg des origines à nos jours, four volumes (ca. 2000 pages) by a collective of historians under the guidance of Georges Livet and Francis Rapp, 1982, ISBN 2-7165-0041-X

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Today's Snippet II:  Cathedral of Our Lady of Strasbourg

Strasbourg Cathedral or the Cathedral of Our Lady of Strasbourg also known as Strasbourg Minster, is a Roman Catholic cathedral in Strasbourg, Alsace, France. Although considerable parts of it are still in Romanesque architecture, it is widely considered to be among the finest examples of high, or late, Gothic architecture. Erwin von Steinbach is credited for major contributions from 1277 to his death in 1318.

At 142 metres (466 feet), it was the world's tallest building from 1647 to 1874, when it was surpassed by St. Nikolai's Church, Hamburg. Today it is the sixth-tallest church in the world and the highest still-standing structure built entirely in the Middle Ages.

Described by Victor Hugo as a "gigantic and delicate marvel", and by Goethe as a "sublimely towering, wide-spreading tree of God", the cathedral is visible far across the plains of Alsace and can be seen from as far off as the Vosges Mountains or the Black Forest on the other side of the Rhine. Sandstone from the Vosges used in construction gives the cathedral its characteristic pink hue.

History

Monument to Johannes (Jean) Hültz, architect of the octagonal top, in Strasbourg

The site of the Strasbourg cathedral was used for several successive religious buildings, starting from the Argentoratum period (when a Roman sanctuary occupied the site) up to the building that is there today.

It is known that a cathedral was erected by the bishop Saint Arbogast of the Strasbourg diocese at the end of the seventh century, on the base of a temple dedicated to the Virgin Mary, but nothing remains of it today. Strasbourg's previous cathedral, of which remains dating back to the to the late 4th century or early 5th century were unearthed in 1948 and 1956, was situated at the site of the current Église Saint-Étienne.

In the eighth century, the first cathedral was replaced by a more important building that would be completed under the reign of Charlemagne. Bishop Remigius von Straßburg (also known as Rémi) wished to be buried in the crypt, according to his will dated 778. It was certainly in this building that the Oaths of Strasbourg were pronounced in 842. Excavations carried out recently reveal that this Carolingian cathedral had three naves and three apses. A poem described this cathedral decorated with gold and precious stones by the bishop Ratho (also Ratald or Rathold). The basilica caught fire on multiple occasions, in 873, 1002, and 1007.

In 1015, bishop Werner von Habsburg laid the first stone of a new cathedral on the ruins of the Carolingian basilica. He then constructed a cathedral in the Romanesque style of architecture. That cathedral burned to the ground in 1176 because at that time the naves were covered with a wooden framework.

After that disaster, bishop Heinrich von Hasenburg decided to construct a new cathedral, to be more beautiful than that of Basel, which was just being finished. Construction of the new cathedral began on the foundations of the preceding structure, and did not end until centuries later. Werner's cathedral's crypt, which had not burned, was kept and expanded westwards.

Construction of the cathedral (1176–1439)

The construction began with the quire and the north transept in a Romanesque style, reminiscent of and actually inspired by the Imperial Cathedrals in its monumentality and height. But in 1225, a team coming from Chartres revolutionized the construction by suggesting a Gothic architecture style. The parts of the nave that had already been begun in Romanesque style were torn down and in order to find money to finish the nave, the Chapter resorted to Indulgences in 1253. The money was kept by the Œuvre Notre-Dame, which also hired architects and stone workers. The influence of the Chartres masters was also felt in the sculptures and statues: the "Pillar of Angels" (Pilier des anges), a representation of the Last Judgment on a pillar in the southern transept, facing the Astronomical clock, owes to their expressive style.

Like the city of Strasbourg, the cathedral connects Münster-German and French cultural influences, while the eastern structures, e.g. the choir and south portal, still have very Romanesque features, with more emphasis placed on walls than on windows.

Above all, the famous west front, decorated with thousands of figures, is a masterpiece of the Gothic era. The tower is one of the first to rely substantially on craftsmanship, with the final appearance being one with a high degree of linearity captured in stone. While previous façades were certainly drawn prior to construction, Strasbourg has one of the earliest façades whose construction is inconceivable without prior drawing. Strasbourg and Cologne Cathedral together represent some of the earliest uses of architectural drawing. The work of Professor Robert O. Bork of the University of Iowa suggests that the design of the Strasbourg facade, while seeming almost random in its complexity, can be constructed using a series of rotated octagons.

The north tower, completed in 1439, was the world's tallest building from 1647 (when the spire of St. Mary's church, Stralsund burnt down) until 1874 (when the tower of St. Nikolai's Church in Hamburg was completed). The planned south tower was never built and as a result, with its characteristic asymmetrical form, the Strasbourg cathedral is now the premier landmark of Alsace. One can see 30 kilometers from the observation level, which provides a view of the Rhine banks from the Vosges all the way to the Black Forest. The octagonal tower as it can be seen is the combined work of architects Ulrich Ensingen (shaft) and Johannes Hültz of Cologne (top). Ensingen worked on the Cathedral from 1399 to 1419, and Hültz from 1419 to 1439.

In 1505, architect Jakob von Landshut and sculptor Hans von Aachen finished rebuilding the Saint-Lawrence portal (Portail Saint-Laurent) outside the northern transept in a markedly post-Gothic, early-Renaissance style. As with the other portals of the Cathedral, most of the statues now to be seen in situ are copies, the originals having been moved to the Musée de l’Œuvre Notre-Dame.

Later history

Interior of the cathedral, c. 1617

In the late Middle Ages, the city of Strasbourg had succeeded to liberate itself from the domination of the bishop and to rise to the status of Free Imperial City. The outgoing 15th century was marked by the sermons of Johann Geiler von Kaisersberg and by the emerging Protestant Reformation, represented in Strasbourg by figures such as John Calvin, Martin Bucer and Jacob Sturm von Sturmeck. In 1524, the City Council assigned the Cathedral to the Protestant faith, while the building suffered some damage from iconoclastic assaults. In 1539, the world's first documented Christmas tree was set up inside the Münster. After the annexation of the city by Louis XIV of France, on 30 September 1681, and a mass celebrated in the Cathedral on 23 October 1681 in presence of the king and prince-bishop Franz Egon of Fürstenberg, the Cathedral was returned to the Catholics and its inside redesigned according to the Catholic liturgy of the Counter-Reformation. In 1682, the choir screen (built in 1252) was broken out to expand the quire towards the nave. Remains of the choir screen are displayed in the Musée de l’Œuvre Notre-Dame and in The Cloisters. The main or high altar, a major work of early Renaissance sculpture, was also demolished that year. Fragments can be seen in the Musée de l’Œuvre Notre-Dame.

A round, Baroque sacristy of modest proportions was added north-east of the northern transept in 1744 by the city's chief architect Joseph Massol according to plans by Robert de Cotte and between 1772 and 1778 architect Jean-Laurent Goetz surrounded the Cathedral by a gallery in early Gothic Revival style in order to reorganise the merchants shops that used to settle around the building (and would do so until 1843).

In April 1794, the Enragés who ruled the city started planning to tear the spire down, on the grounds that it hurt the principle of equality. The tower was saved, however, when in May of the same year citizens of Strasbourg crowned it with a giant tin Phrygian cap of the kind the Enragés themselves wore. This artifact was later kept in the historical collections of the city until they were all destroyed in a massive fire in August 1870. During the Siege of Strasbourg, the Cathedral was hit by Prussian artillery and the metal cross on the spire was bent. The crossing domes's roof was pierced and it was subsequently reconstructed in a grander, Romanesque revival style by the Notre-Dame workshop's longtime chief architect, Gustave Klotz.

During World War II, Strasbourg's Cathedral was seen as a symbol for both warring parties. Adolf Hitler, who visited it on 28 June 1940, intended to transform the church into a "national sanctuary of the German people"^[14] or into a monument to the Unknown Soldier; on 1 March 1941, General Leclerc made the "vow of Kufra" (serment de Koufra), stating he would "rest the weapons only when our beautiful colours fly again on Strasbourg's cathedral". During that same war, the stained glass was removed in 74 cases from the Strasbourg Cathedral and stored in a salt mine near Heilbronn, Germany. After the war, it was returned to the cathedral by the Monuments, Fine Arts and Archives section of the United States military.

The Cathedral was hit by British and American bombs during air raids on Strasbourg's center on 11 August 1944, which also heavily damaged the Palais Rohan and the Sainte-Madeleine Church. In 1956, the Council of Europe donated the famous choir window by Max Ingrand, the "Strasbourg Madonna" (see also Flag of Europe Biblical interpretation). The last war damages were only repaired in the early 1990s.

In October 1988, when the city commemorating 2000 years of foundation by Argentoratum, pope John Paul II visited and celebrated mass in the cathedral. This event was also an occasion to celebrate the Franco-Germany reconciliation.

In 2000, an Al-Qaeda plot to bomb the adjacent Christmas market was prevented by French and German police.

References

• This article incorporates text from a publication now in the public domain: Herbermann, Charles, ed. (1913). Catholic Encyclopedia. Robert Appleton Company.

 

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Catechism of the Catholic Church

Part Two: The Celebration of the Christian Mystery, 

Section Two: The Seven Sacraments of the Church 

Article 3  Sacrament of the Eucharist

SECTION TWO

THE SEVEN SACRAMENTS OF THE CHURCH 

Article 3

THE SACRAMENT OF THE EUCHARIST

I. The Eucharist - Source and Summit of Ecclesial Life

1324 The Eucharist is "the source and summit of the Christian life."LG 11 "The other sacraments, and indeed all ecclesiastical ministries and works of the apostolate, are bound up with the Eucharist and are oriented toward it. For in the blessed Eucharist is contained the whole spiritual good of the Church, namely Christ himself, our Pasch."PO 5

1325 "The Eucharist is the efficacious sign and sublime cause of that communion in the divine life and that unity of the People of God by which the Church is kept in being. It is the culmination both of God's action sanctifying the world in Christ and of the worship men offer to Christ and through him to the Father in the Holy Spirit."Congregation of Rites, instruction, Eucharisticum mysterium, 6

1326 Finally, by the Eucharistic celebration we already unite ourselves with the heavenly liturgy and anticipate eternal life, when God will be all in all.1 Cor 15:28

1327 In brief, the Eucharist is the sum and summary of our faith: "Our way of thinking is attuned to the Eucharist, and the Eucharist in turn confirms our way of thinking."St. Irenaeus, Adv. haeres. 4, 18, 5: PG 7/l, 1028

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