Fri, Dec 7, 2012 - Litany Lane Blog: Trust, Isaiah 29, Psalms 27, Matthew 9:27-31, St Ambrose, Basilica of Sant'Ambrogio (St. Ambrose), Milan Italy

Friday, December 7, 2012 - Litany Lane Blog:

Trust, Isaiah 29, Psalms 27, Matthew 9:27-31, St Ambrose, Basilica of Sant'Ambrogio (St. Ambrose),  Milan Italy

Good Day Bloggers!  Happy Advent!
Wishing everyone a Blessed Week!
Year of Faith - October 11, 2012 - November 24, 2013

P.U.S.H. (Pray Until Serenity Happens). It has a remarkable way of producing solace, peace, patience and tranquility and of course resolution...God's always available 24/7.

The world begins and ends everyday for someone. The "Armageddon" is a pagan belief inspired by the evil one to create chaos and doubt in God. Trust in God, for He creates, He does not destroy and only God knows the hour of His beloved Son, Jesus Christ's second Coming, another chance at eternal salvation.  Think about how merciful God truly is as he keeps offering us second chances. He even gives the evil one a multitude of chances to atone. Simply be prepared by living everyday as a gift: Trust in God; Honor Jesus Mercy through the sacraments of Reconciliation and Eucharist; and Utilize the Gifts of the Holy Spirit: We are all human. We all experience birth, life and death. We all have flaws but we also all have the gift knowledge and free will as well, make the most of it. Life on earth is a stepping to our eternal home in Heaven. Its your choice whether to rise towards eternal light or lost to eternal darkness. Material items, though needed for sustenance and survival on earth are of earthly value only. The only thing that passes from this earth to Purgatory and/or Heaven is our Soul, our Spirit...it's God's perpetual gift to us...Embrace it, treasure it, nurture it, protect it...

"Raise not a hand to another unless it is to offer in peace and goodwill." ~ Zarya Parx 2012

●▬▬ஜ۩۞۩ஜ▬♥▬●▬ஜ۩۞۩ஜ▬▬♥▬●▬▬ஜ۩۞۩ஜ▬▬●

December 2, 2012 Message From Our Lady of Medjugorje to World:

Dear children, with motherly love and motherly patience anew I call you to live according to my Son, to spread His peace and His love, so that, as my apostles, you may accept God's truth with all your heart and pray for the Holy Spirit to guide you. Then you will be able to faithfully serve my Son, and show His love to others with your life. According to the love of my Son and my love, as a mother, I strive to bring all of my strayed children into my motherly embrace and to show them the way of faith. My children, help me in my motherly battle and pray with me that sinners may become aware of their sins and repent sincerely. Pray also for those whom my Son has chosen and consecrated in His name. Thank you." 

November 25, 2012 Message From Our Lady of Medjugorje to World:

“Dear children! In this time of grace, I call all of you to renew prayer. Open yourselves to Holy Confession so that each of you may accept my call with the whole heart. I am with you and I protect you from the ruin of sin, but you must open yourselves to the way of conversion and holiness, that your heart may burn out of love for God. Give Him time and He will give Himself to you and thus, in the will of God you will discover the love and the joy of living. Thank you for having responded to my call.” ~ Blessed Virgin Mary

November 02, 2012 Message From Our Lady of Medjugorje to World:

"Dear children, as a mother I implore you to persevere as my apostles. I am praying to my Son to give you Divine wisdom and strength. I am praying that you may discern everything around you according to God’s truth and to strongly resist everything that wants to distance you from my Son. I am praying that you may witness the love of the Heavenly Father according to my Son. My children, great grace has been given to you to be witnesses of God’s love. Do not take the given responsibility lightly. Do not sadden my motherly heart. As a mother I desire to rely on my children, on my apostles. Through fasting and prayer you are opening the way for me to pray to my Son for Him to be beside you and for His name to be holy through you. Pray for the shepherds because none of this would be possible without them. Thank you." ~ Blessed Virgin Mary

●▬▬ஜ۩۞۩ஜ▬♥▬●▬ஜ۩۞۩ஜ▬♥▬●▬ஜ۩۞۩ஜ▬▬●

Today's Word:  trust  trust  [bih-leev]

Origin:  1150–1200; Middle English bileven,  equivalent to bi- be- + leven, Old English  (Anglian) gelēfan  (cognate with Dutch gelooven, German glauben, Gothic galaubjan )

verb (used without object)

1.to have confidence in the truth, the existence, or the reliability of something, although without absolute proof that one is right in doing so: Only if one believes in something can one act purposefully.

verb (used with object)

2. to have confidence or faith in the truth of (a positive assertion, story, etc.); give credence to.

3. to have confidence in the assertions of (a person).

4. to have a conviction that (a person or thing) is, has been, or will be engaged in a given action or involved in a given situation: The fugitive is believed to be headed for the Mexican border.

5. to suppose or assume; understand (usually followed by a noun clause): I believe that he has left town.

 

●▬▬ஜ۩۞۩ஜ▬♥▬●▬ஜ۩۞۩ஜ▬♥▬●▬ஜ۩۞۩ஜ▬▬●

Today's Old Testament Reading -  Psalms 27:1, 4, 13-14

¹ [Of David] Yahweh is my light and my salvation, whom should I fear? Yahweh is the fortress of my life, whom should I dread?
⁴ One thing I ask of Yahweh, one thing I seek: to dwell in Yahweh's house all the days of my life, to enjoy the sweetness of Yahweh, to seek out his temple.
¹³ This I believe: I shall see the goodness of Yahweh, in the land of the living.
¹⁴ Put your hope in Yahweh, be strong, let your heart be bold, put your hope in Yahweh.

●▬▬ஜ۩۞۩ஜ▬♥▬●▬ஜ۩۞۩ஜ▬♥▬●▬ஜ۩۞۩ஜ▬▬●

Today's Epistle -   Isaiah 29:17-24

¹⁷ Is it not true that in a very short time the Lebanon will become productive ground, so productive you might take it for a forest?
¹⁸ That day the deaf will hear the words of the book and, delivered from shadow and darkness, the eyes of the blind will see.
¹⁹ The lowly will find ever more joy in Yahweh and the poorest of people will delight in the Holy One of Israel;
²⁰ for the tyrant will be no more, the scoffer has vanished and all those on the look-out for evil have been destroyed:
²¹ those who incriminate others by their words, those who lay traps for the arbitrator at the gate and groundlessly deprive the upright of fair judgement.
²² That is why Yahweh, God of the House of Jacob, Abraham's redeemer, says this, 'No longer shall Jacob be disappointed, no more shall his face grow pale,
²³ for when he sees his children, my creatures, home again with him, he will acknowledge my name as holy, he will acknowledge the Holy One of Jacob to be holy and will hold the God of Israel in awe.
²⁴ Erring spirits will learn to understand and murmurers accept instruction.'

 ●▬▬ஜ۩۞۩ஜ▬♥▬●▬ஜ۩۞۩ஜ▬♥▬●▬ஜ۩۞۩ஜ▬▬●

Today's Gospel Reading - Matthew 9: 27-31

As Jesus went on his way two blind men followed him shouting, 'Take pity on us, son of David.' And when Jesus reached the house the blind men came up to him and he said to them, 'Do you believe I can do this?' They said, 'Lord, we do.' Then he touched their eyes saying, 'According to your faith, let it be done to you.' And their sight returned. Then Jesus sternly warned them, 'Take care that no one learns about this.' But when they had gone away, they talked about him all over the countryside.


Reflection
Once again, today’s Gospel places before us the encounter of Jesus with human misery. Jesus does not withdraw, he does not hide. He accepts the persons and in accepting them, full of tenderness, he reveals God’s love.

• Two blind men follow Jesus and cry out to him: “Son of David, have pity on us!”. Jesus did not like very much the title of Son of David.  He criticizes the teaching of the Scribes who said that the Messiah should be the Son of David: “David himself calls him Lord: How then can he be his son?” (Ml 12, 37).

• Reaching home, Jesus asks the blind men: “Do you believe that I can do this?” And they answer: “Yes, Lord!” It is one thing to have the true doctrine in the head, and a very different thing to have the correct faith in the heart. The doctrine of the two blind men was not too right, because they called Jesus Son of David. But Jesus does not care to be called like this, what is important to him is to have a correct faith.

• He touches the eyes and says: “May it be done to you according to your faith!” Immediately the eyes were opened. In spite of the fact that they did not possess a correct doctrine, the two blind men had a correct faith. Today many persons are more concerned about a correct doctrine than of a correct faith.

• It is good not to forget a small detail of hospitality. Jesus reaches the house and the two blind men also enter into the house, as if this was the most natural thing in the world. They feel at ease in Jesus’ house And today? A Religious Sister said: “Today the situation of the world is such that I feel mistrustful even toward the poor!” The situation has changed very much from then until now!

• Jesus asks not to diffuse the miracle. But the prohibition was not respected very much. Both of them went out and spread the Good News. To proclaim the Gospel, that is, the Good News, means to share with others the good which God does in our life.
  

Personal questions
• Do I have in my life some Good News from God to share with others?
• On which point do I insist more: on a correct doctrine or on a correct faith?
 

Reference: Courtesy of Order of Carmelites, www.ocarm.org.

●▬▬ஜ۩۞۩ஜ▬♥▬●▬ஜ۩۞۩ஜ▬▬♥▬●▬▬ஜ۩۞۩ஜ▬▬●

Featured Item of the Day from Litany Lane

Our Mother of Perpetual Help Ipad Cases by LitanyLane

●▬▬ஜ۩۞۩ஜ▬♥▬●▬ஜ۩۞۩ஜ▬▬♥▬●▬▬ஜ۩۞۩ஜ▬▬●

Saint of the Day:  St Ambrose

Feast Day:  December 7
Patron Saint:  bee keepers; bees; candle makers; domestic animals; French Commissariat; learning; Milan; students; wax refiners

St Ambrose

Aurelius Ambrosius, better known in English as Saint Ambrose (c. 330 – 4 April 397), was an archbishop of Milan who became one of the most influential ecclesiastical figures of the 4th century. He was one of the four original doctors of the Church. He is patron saint of Milan.  Ambrose was born into a Roman Christian family about 330 and was raised in Trier. His father was Aurelius Ambrosius, the praetorian prefect of Gaul; his mother was a woman of intellect and piety. Ambrose's siblings, Satyrus (who is the subject of Ambrose's De excessu fratris Satyri) and Marcellina, are also venerated as saints. There is a legend that as an infant, a swarm of bees settled on his face while he lay in his cradle, leaving behind a drop of honey. His father considered this a sign of his future eloquence and honeyed tongue. For this reason, bees and beehives often appear in the saint's symbology.

After the early death of his father, Ambrose followed his father's career. He was educated in Rome, studying literature, law, and rhetoric. Praetor Anicius Probus first gave him a place in the council and then in about 372 made him consular prefect or "Governor" of Liguria and Emilia, with headquarters at Milan, which was then (beside Rome) the second capital in Italy.

Ambrose was the Governor of Aemilia-Liguria in northern Italy until 374 when he became the Bishop of Milan. He was a very popular political figure, and since he was the Governor in the effective capital in the Roman West, he was a recognizable figure in the court of the Emperor Valentinian I. Ambrose never married.

Bishop of Milan

The body of Ambrose (with white vestments) in the crypt of Sant'Ambrogio basilica.

In the late 4th century there was a deep conflict in the diocese of Milan between the Catholics and Arians. In 374 the bishop of Milan, Auxentius, an Arian, died, and the Arians challenged the succession. Ambrose went to the church where the election was to take place, to prevent an uproar, which was probable in this crisis. His address was interrupted by a call "Ambrose, bishop!", which was taken up by the whole assembly.

Ambrose was known to be Catholic in belief, but also acceptable to Arians due to the charity shown in theological matters in this regard. At first he energetically refused the office, for which he was in no way prepared: Ambrose was neither baptized nor formally trained in theology. Upon his appointment, St. Ambrose fled to a colleague's home seeking to hide. Upon receiving a letter from the Emperor Gratian praising the appropriateness of Rome appointing individuals evidently worthy of holy positions, St. Ambrose's host gave Ambrose up. Within a week, Ambrose was baptized, ordained and duly consecrated bishop of Milan.

As bishop, he immediately adopted an ascetic lifestyle, apportioned his money to the poor, donating all of his land, making only provision for his sister Marcellina (who later became a nun), and committed the care of his family to his brother. Ambrose also wrote a treatise by the name of "The Goodness of Death".

Ambrose and Arians

According to legend, Ambrose immediately and forcefully stopped Arianism in Milan. He studied theology with Simplician, a presbyter of Rome. Using his excellent knowledge of Greek, which was then rare in the West, to his advantage, he studied the Hebrew Bible and Greek authors like Philo, Origen, Athanasius, and Basil of Caesarea, with whom he was also exchanging letters. He applied this knowledge as preacher, concentrating especially on exegesis of the Old Testament, and his rhetorical abilities impressed Augustine of Hippo, who hitherto had thought poorly of Christian preachers.

In the confrontation with Arians, Ambrose sought to theologically refute their propositions, which were heretical. The Arians appealed to many high level leaders and clergy in both the Western and Eastern empires. Although the western Emperor Gratian held orthodox belief in the Nicene creed, the younger Valentinian II, who became his colleague in the Empire, adhered to the Arian creed. Ambrose did not sway the young prince's position. In the East, Emperor Theodosius I likewise professed the Nicene creed; but there were many adherents of Arianism throughout his dominions, especially among the higher clergy.

In this contested state of religious opinion, two leaders of the Arians, bishops Palladius of Ratiaria and Secundianus of Singidunum, confident of numbers, prevailed upon Gratian to call a general council from all parts of the empire. This request appeared so equitable that he complied without hesitation. However, Ambrose feared the consequences and prevailed upon the emperor to have the matter determined by a council of the Western bishops. Accordingly, a synod composed of thirty-two bishops was held at Aquileia in the year 381. Ambrose was elected president and Palladius, being called upon to defend his opinions, declined. A vote was then taken, when Palladius and his associate Secundianus were deposed from the episcopal office.

Nevertheless, the increasing strength of the Arians proved a formidable task for Ambrose. In 385 or 386 the emperor and his mother Justina, along with a considerable number of clergy and laity, especially military, professed Arianism. They demanded two churches in Milan, one in the city (the basilica of the Apostles), the other in the suburbs (St Victor's), to the Arians. Ambrose refused and was required to answer for his conduct before the council. He went, his eloquence in defense of the Church reportedly overawed the ministers of Emperor Valentinian, so he was permitted to retire without making the surrender of the churches. The day following, when he was performing divine service in the basilica, the prefect of the city came to persuade him to give up at least the Portian basilica in the suburbs. As he still continued obstinate, the court proceeded to violent measures: the officers of the household were commanded to prepare the Basilica and the Portian churches to celebrate divine service upon the arrival of the emperor and his mother at the ensuing festival of Easter.

In spite of Imperial opposition, Bishop Ambrose declared:

If you demand my person, I am ready to submit: carry me to prison or to death, I will not resist; but I will never betray the church of Christ. I will not call upon the people to succour me; I will die at the foot of the altar rather than desert it. The tumult of the people I will not encourage: but God alone can appease it.

 

Ambrose and Jews

Painting of St. Ambrose with whip and book in the church of San Giuseppe alla Lungara, Rome

An address by Ambrose to Christian young people warns them against intermarriage with Jews ("De Abrahamo," ix. 84, xiv. 451). But his opposition assumed a more active character in the matter of the bishop of Callinicum in Mesopotamia. It appears that in 388 a mob, led by the local bishop and many monks, destroyed the synagogue at Callinicum. The emperor Theodosius the Great ordered the rebuilding of the synagogue at the expense of the rioters, including the bishop. Ambrose immediately issued a fiery protest to the Emperor. He writes to Theodosius ("Epistolæ," xl. xvi. 1101 et seq.) that "the glory of God" is concerned in this matter, and that therefore he cannot be silent. "Shall the bishop be compelled to reerect a synagogue? Can he religiously do this thing? If he obey the emperor, he will become a traitor to his faith; if he disobey him, a martyr. What real wrong is there, after all, in destroying a synagogue, a 'home of perfidy, a home of impiety,' in which Christ is daily blasphemed? Indeed, he must consider himself no less guilty than this poor bishop; at least to the extent that he made no concealment of his wish that all synagogues should be destroyed, that no such places of blasphemy be further allowed to exist." At the end, he succeeded in obtaining from Theodosius a promise that the sentence should be completely revoked, with the very natural consequence that thereafter the prospect of immunity thus afforded occasioned spoliations of synagogues all over the Empire. That Ambrose could nevertheless occasionally say a good word for the Jews is shown by a passage in his "Enarratio in Psalmos" (i. 41, xiv. 943), in which he remarks, "Some Jews exhibit purity of life and much diligence and love of study."

Ambrose and emperors

Saint Ambrose and Emperor Theodosius by Van Dyck.

The imperial court was displeased with the religious principles of Ambrose, however his aid was soon solicited by the Emperor. When Magnus Maximus usurped the supreme power in Gaul, and was meditating a descent upon Italy, Valentinian sent Ambrose to dissuade him from the undertaking, and the embassy was successful.

A second later embassy was unsuccessful; the enemy entered Italy; and Milan was taken. Justina and her son fled; but Ambrose remained at his post, and did good service to many of the sufferers by causing the plate of the church to be melted for their relief.

In 385 Ambrose, backed by Milan's populace, refused Valentinian II's imperial request to hand over the Portian basilica for the use of Arian troops. In 386 Justina and Valentinian received the Arian bishop Auxentius, and Ambrose was again ordered to hand over a church in Milan for Arian usage. Ambrose and his congregation barricaded themselves inside the church, and the imperial order was rescinded.


Theodosius I, the emperor of the East, espoused the cause of Justina, and regained the kingdom. Theodosius was threatened with excommunication by Ambrose for the massacre of 7,000 persons at Thessalonica in 390, after the murder of the Roman governor there by rioters.  Ambrose told Theodosius to imitate David in his repentance as he had imitated him in guilt — Ambrose readmitted the emperor to the Eucharist only after several months of penance. This incident shows the strong position of a bishop in the Western part of the empire, even when facing a strong emperor — the controversy of John Chrysostom with a much weaker emperor a few years later in Constantinople led to a crushing defeat of the bishop.

In 392, after the death of Valentinian II and the acclamation of Eugenius, Ambrose supplicated the emperor for the pardon of those who had supported Eugenius after Theodosius was eventually victorious.

Persecution of Paganism

Under Ambrose's major influence, emperors Gratian, Valentinian II and Theodosius I carried on a persecution of Paganism. Under Ambrose's influence, Theodosius issued the 391 "Theodosian decrees," which with increasing intensity outlawed Pagan practises, and the Altar of Victory was removed by Gratian. Ambrose prevailed upon Gratian, Valentinian and Theodosius to reject requests to restore the Altar.

Death and legacy

Soon after acquiring the undisputed possession of the Roman empire, Theodosius died at Milan in 395, and two years later (April 4, 397) Ambrose also died. He was succeeded as bishop of Milan by Simplician. Ambrose's body may still be viewed in the church of S. Ambrogio in Milan, where it has been continuously venerated — along with the bodies identified in his time as being those of Sts. Gervase and Protase — and is one of the oldest extant bodies of historical personages known outside Egypt.

Character

Drawing based on a statue of St. Ambrose

Many circumstances in the history of Ambrose are characteristic of the general spirit of the times. The chief causes of his victory over his opponents were his great popularity and the reverence paid to the episcopal character at that period. But it must also be noted that he used several indirect means to obtain and support his authority with the people.

He was generous to the poor; it was his custom to comment severely in his preaching on the public characters of his times; and he introduced popular reforms in the order and manner of public worship.

It is alleged, too, that at a time when the influence of Ambrose required vigorous support, he was admonished in a dream to search for, and found under the pavement of the church, the remains of two martyrs, Gervasius and Protasius. The saints, although they would have had to have been hundreds of years old, looked as if they had just died. The applause of the people was mingled with the derision of the court party.

Theology

Ambrose ranks with Augustine, Jerome, and Gregory the Great, as one of the Latin Doctors of the Church. Theologians compare him with Hilary, who they claim fell short of Ambrose's administrative excellence but demonstrated greater theological ability. He succeeded as a theologian despite his juridical training and his comparatively late handling of Biblical and doctrinal subjects. His spiritual successor, Augustine, whose conversion was helped by Ambrose's sermons, owes more to him than to any writer except Paul

Ambrose's intense episcopal consciousness furthered the growing doctrine of the Church and its sacerdotal ministry, while the prevalent asceticism of the day, continuing the Stoic and Ciceronian training of his youth, enabled him to promulgate a lofty standard of Christian ethics. Thus we have the De officiis ministrorum, De viduis, De virginitate and De paenitentia.

Ambrose displayed a kind of liturgical flexibility that kept in mind that liturgy was a tool to serve people in worshiping God, and ought not to become a rigid entity that is invariable from place to place. His advice to Augustine of Hippo on this point was to follow local liturgical custom. "When I am at Rome, I fast on a Saturday; when I am at Milan, I do not. Follow the custom of the church where you are." Thus Ambrose refused to be drawn into a false conflict over which particular local church had the "right" liturgical form where there was no substantial problem. His advice has remained in the English language as the saying, "When in Rome, do as the Romans do."

One interpretation of Ambrose's writings is that he was a Christian universalist. It has been noted that Ambrose's theology was significantly influenced by that of Origen and Didymus the Blind, two other early Christian universalists. One quotation cited in favor of this belief:

Our Savior has appointed two kinds of resurrection in the Apocalypse. 'Blessed is he that hath part in the first resurrection,' for such come to grace without the judgment. As for those who do not come to the first, but are reserved unto the second resurrection, these shall be disciplined until their appointed times, between the first and the second resurrection.

One could interpret this passage as being another example of the mainstream Christian belief in a general resurrection (both for those in heaven and for those in hell). Several other works by Ambrose clearly teach the mainstream view of salvation. For example:

The Jews feared to believe in manhood taken up into God, and therefore have lost the grace of redemption, because they reject that on which salvation depends.

Mariology

The powerful Mariology of Ambrose of Milan influenced contemporary Popes like Pope Damasus and Siricius and later, Pope Leo the Great. Central to Ambrose is the virginity of Mary and her role as Mother of God.

• The virgin birth is worthy of God. Which human birth would have been more worthy of God, than the one, in which the Immaculate Son of God maintained the purity of his immaculate origin while becoming human?

• We confess, that Christ the Lord was born from a virgin, and therefore we reject the natural order of things. Because not from a man she conceived but from the Holy Spirit.

• Christ is not divided but one. If we adore him as the Son of God, we do not deny his birth from the virgin... But nobody shall extend this to Mary. Mary was the temple of God but not God in the temple. Therefore only the one who was in the temple can be worshipped.

• Yes, truly blessed for having surpassed the priest (Zechariah). While the priest denied, the Virgin rectified the error. No wonder that the Lord, wishing to rescue the world, began his work with Mary. Thus she, through whom salvation was being prepared for all people, would be the first to receive the promised fruit of salvation.

Ambrose viewed virginity as superior to marriage and saw Mary as the model of virginity. He is alleged to have founded an institution for virgins in Rome.

Writings

In matters of exegesis he is, like Hilary, an Alexandrian. In dogma he follows Basil of Caesarea and other Greek authors, but nevertheless gives a distinctly Western cast to the speculations of which he treats. This is particularly manifest in the weightier emphasis which he lays upon human sin and divine grace, and in the place which he assigns to faith in the individual Christian life.

• De fide ad Gratianum Augustum (On Faith, to Gratian Augustus)
• De Officiis Ministrorum (On the Offices of Ministers, an ecclesiastical handbook modeled on Cicero's De Officiis.^[27])
• De Spiritu Sancto (On the Holy Ghost)
• De incarnationis Dominicae sacramento (On the Sacrament of the Incarnation of the Lord)
• De mysteriis (On the Mysteries)
• Expositio evangelii secundum Lucam (Commentary on the Gospel according to Luke)
• Ethical works: De bono mortis (Death as a Good); De fuga saeculi (Flight From the World); De institutione virginis et sanctae Mariae virginitate perpetua ad Eusebium (On the Birth of the Virgin and the Perpetual Virginity of Mary); De Nabuthae (On Naboth); De paenitentia (On Repentance); De paradiso (On Paradise); De sacramentis (On the Sacraments); De viduis (On Widows); De virginibus (On Virgins); De virginitate (On Virginity); Exhortatio virginitatis (Exhortation to Virginity); De sacramento regenerationis sive de philosophia (On the Sacrament of Rebirth, or, On Philosophy [fragments])
• Homiletic commentaries on the Old Testament: the Hexaemeron (Six Days of Creation); De Helia et ieiunio (On Elijah and Fasting); De Iacob et vita beata (On Jacob and the Happy Life); De Abraham; De Cain et Abel; De Ioseph (Joseph); De Isaac vel anima (On Isaac, or The Soul); De Noe (Noah); De interpellatione Iob et David (On the Prayer of Job and David); De patriarchis (On the Patriarchs); De Tobia (Tobit); Explanatio psalmorum (Explanation of the Psalms); Explanatio symboli (Commentary on the Symbol).
• De obitu Theodosii; De obitu Valentiniani; De excessu fratris Satyri (funeral orations)
• 91 letters
• A collection of hymns
• Fragments of sermons
• Ambrosiaster or the "pseudo-Ambrose" is a brief commentary on Paul's Epistles, which was long attributed to Ambrose.

Church music

Saint Ambrose in His Study, ca. 1500. Spanish, Palencia. Wood with traces of polychromy. Metropolitan Museum of Art, New York City.

Ambrose is traditionally credited but not actually known to have composed any of the repertory of Ambrosian chant also known simply as "antiphonal chant", a method of chanting where one side of the choir alternately responds to the other.

(The later pope St. Gregory I the Great is not known to have composed any Gregorian chant, the plainsong or "Romish chant".) However, Ambrosian chant was named in his honor due to his contributions to the music of the Church; he is credited with introducing hymnody from the Eastern Church into the West.

Catching the impulse from Hilary and confirmed in it by the success of Arian psalmody, Ambrose composed several original hymns as well, four of which still survive, along with music which may not have changed too much from the original melodies.

Each of these hymns has eight four-line stanzas and is written in strict iambic dimeter (that is 2 x 2 iambs).

Marked by dignified simplicity, they served as a fruitful model for later times.

• Deus Creator Omnium
• Aeterne rerum conditor
• Jam surgit hora tertia
• Jam Christus astra ascendante"
• Veni redemptor gentium (a Christmas hymn)

In his writings, Ambrose refers only to the performance of psalms, in which solo singing of psalm verses alternated with a congregational refrain called an antiphon.

St. Ambrose was also traditionally credited with composing the hymn Te Deum, which he is said to have composed when he baptised St. Augustine of Hippo, his celebrated convert.

Ambrose and Augustine

Ambrose was Bishop of Milan at the time of Augustine's conversion, and is mentioned in Augustine's Confessions.

Ambrose and celibacy

In a passage of Augustine's Confessions in which Augustine wonders why he could not share his burden with Ambrose, he makes a comment which bears on the history of celibacy:

Ambrose himself I esteemed a happy man, as the world counted happiness, because great personages held him in honor. Only his celibacy appeared to me a painful burden.

Ambrose and reading

In this same passage of Augustine's Confessions is a curious anecdote which bears on the history of reading:

When [Ambrose] read, his eyes scanned the page and his heart sought out the meaning, but his voice was silent and his tongue was still. Anyone could approach him freely and guests were not commonly announced, so that often, when we came to visit him, we found him reading like this in silence, for he never read aloud.

This is a celebrated passage in modern scholarly discussion. The practice of reading to oneself without vocalizing the text was less common in antiquity than it has since become. In a culture that set a high value on oratory and public performances of all kinds, in which the production of books was very labor-intensive, the majority of the population was illiterate, and where those with the leisure to enjoy literary works also had slaves to read for them, written texts were more likely to be seen as scripts for recitation than as vehicles of silent reflection. However, there is also evidence that silent reading did occur in antiquity and that it was not generally regarded as unusual.

References

• Hexameron, De paradiso, De Cain, De Noe, De Abraham, De Isaac, De bono mortis – ed. C. Schenkl 1896, Vol. 32/1
• De Iacob, De Ioseph, De patriarchis, De fuga saeculi, De interpellatione Iob et David, De apologia prophetae David, De Helia, De Nabuthae, De Tobia – ed. C. Schenkl 1897, Vol. 32/2
• Expositio evangelii secundum Lucam – ed. C. Schenkl 1902, Vol. 32/4
• Expositio de psalmo CXVIII – ed. M. Petschenig 1913, Vol. 62; editio altera supplementis aucta – cur. M. Zelzer 1999
• Explanatio super psalmos XII – ed. M. Petschenig 1919, Vol. 64; editio altera supplementis aucta – cur. M. Zelzer 1999
• Explanatio symboli, De sacramentis, De mysteriis, De paenitentia, De excessu fratris Satyri, De obitu Valentiniani, De obitu Theodosii – ed. Otto Faller 1955, Vol. 73
• De fide ad Gratianum Augustum – ed. Otto Faller 1962, Vol. 78
• De spiritu sancto, De incarnationis dominicae sacramento – ed. Otto Faller 1964, Vol. 79
• Epistulae et acta – ed. Otto Faller (Vol. 82/1: lib. 1-6, 1968); Otto Faller, M. Zelzer ( Vol. 82/2: lib. 7-9, 1982); M. Zelzer ( Vol. 82/3: lib. 10, epp. extra collectionem. gesta concilii Aquileiensis, 1990); Indices et addenda – comp. M. Zelzer, 1996, Vol. 82/4

 

 ●▬▬ஜ۩۞۩ஜ▬♥▬●▬ஜ۩۞۩ஜ▬▬♥▬●▬▬ஜ۩۞۩ஜ▬▬●

 
Featured Items Panel from Litany Lane

●▬▬ஜ۩۞۩ஜ▬♥▬●▬ஜ۩۞۩ஜ▬▬♥▬●▬▬ஜ۩۞۩ஜ▬▬●

Today's  Snippet  I:   Basilica of Sant'Ambrogio (St. Ambrose)

The Basilica of Sant'Ambrogio (St. Ambrose) is a church in Milan, northern Italy. One of the most ancient churches in Milan, it was built by St. Ambrose in 379-386, in an area where numerous martyrs of the Roman persecutions had been buried. The first name of the church was in fact Basilica Martyrum. When St. Ambrose arrived in Milan, the local churches were in conflict with each other over the conflict between Arianism and the Nicene Creed as well as numerous local issues. He was firmly in support of the Nicene side of the conflict, and wanted to make northern Italy into a pro-Rome stronghold. He did this through both preaching and construction. He built three or four churches surrounding the city; Basilica Apostolorum (now San Nazaro in Brolo), Basilica Virginum (now San Simpliciano, and Basilica Martyrum (which was later renamed in his honor). A fourth church, Basilica Salvatoris (now San Dionigi) is attributed to him as well, but may not actually be from the 4th Century. These churches were dedicated with anti-Arian language and as symbols of the wealth and power of the pro-Nicene faction in Milan.

In the centuries after its construction, the edifice underwent several restorations and partial reconstructions, assuming the current appearance in the 12th Century, when it was rebuilt in the Romanesque style. Initially, the basilica was outside the city of Milan, but over the following centuries, the city grew up around it. It became a center of religious life and a community of canons developed in the church. In 789, a monastery was established within the basilica grounds. The Canons, however, retained their own community and identity instead of fading away. Two, separate, distinct religious communities shared the basilica. In the 11th Century, the canons adopted orders and became Canons Regular. There were now two separate monastic orders following different rules living in the basilica. The canons were in the northern building, the cloister of the canons, while the monks were in the two southern buildings.

The two towers symbolize the division in the basilica. The 9th Century dei Monaci ("of the Monks") tower was used by the monks to call the faithful to the monks' mass. The monks supported themselves, partly, from the offerings given after mass. However, the canons didn't have a bell tower and were not allowed to ring bells until they finished their own tower in the 12th Century.

The monastery and church became a large landholder in northern Italy and into what is now the Swiss Canton of Ticino. In August 1943 the Anglo-American bombings heavily damaged the Basilica, in particular the apse and surrounding area (the photo shows a view looking West). As a result of this a new and remarkably unsuccessful building, now painted pink, was constructed to house the Abbott's offices and the museum.

Construction and appearance of the church

Mosaic of Christ Pantokrator from the 13th Century

The original edifice, like the great churches of Rome of the same epoch, belonged to the basilica type; it consisted of a central nave lighted from the clerestory, two side aisles, an apse, and an atrium. Investigations made in 1864 have established the fact that the nave and the aisles of the existing basilica correspond with those of the primitive church; the atrium, however, which dates from the ninth century, and two smaller apses, flanking a new central apse of greater depth than the original, were erected. The altar occupies about the same place as in the time of St. Ambrose, and the columns of the ciborium over the altar appear never to have been disturbed; they still rest on the original pavement.

In the following centuries the edifice underwent several restorations and partial reconstructions, assuming the current appearance in the 12th Century. The basilica plan of the original edifice was maintained, with an apse and two aisles, all with apses, and a portico with elegant arches supported by semicolumns and pilasters preceding the entrance. The latter was used to house the catechumens who attended part of the Mass prior to receiving baptism (this custom disappeared in the early 11th century).

The current building was begun around 1080. The nave dates to about 1128 and the rib vaults of the nave are from about 1140. Entrance to the church is through an arcaded atrium. The basilica has a semi-circular apse, and smaller, semi-circular chapels at the end of the aisles and no transept. There are galleries over the aisles which support the vaults but preclude clerestory windows.

The flat appearance of the hut-like façade is typical of Lombard medieval architecture. It has two loggias, the lower one with three arches of equal dimensions joining the portico. The upper loggia has five arches of different height that follow the ceiling. It is used by the bishop of Milan to bless the people attending outside.

The basilica has two bell towers. The right one, called dei Monaci ("of the Monks"), is from the 9th century and has a severe appearance. The left and higher one dates to 1144, the last two floors added in 1889.

The interior of the basilica has the same size as the external portico. Notable is the heavily restored apse mosaic, portraying the Christ Pantokrator and dating from the early 13th century. There are mosaics of about 470 in the oratory of San Vittore in Ciel d'Oro. The church also houses the tomb of Emperor Louis II, who died in Lombardy in 875.

References

• Esler, Philip (2000). The Early Christian World. New York: Routledge. pp. 1196–1199. ISBN 0-415-16497-4.
• 
  
• Brooke, Christopher (2003). The Age of the Cloister. New York: HiddenSpring. pp. 255 isbn = 1-58768-018-1.
• "Ambrosian Basilica". Catholic Encyclopedia. New York: Robert Appleton Company. 1913.
• Moffett, Marian (2003). A World History of Architecture. London: Laurence King Publishing. p. 202. ISBN 1-85669-353-8.

●▬▬ஜ۩۞۩ஜ▬♥▬●▬ஜ۩۞۩ஜ▬▬♥▬●▬▬ஜ۩۞۩ஜ▬▬●

Today's  Snippet  II:  Milan, Italy

La Scala, Milan Italy

Milan (Italian: Milano [miˈlaːno], Lombard: Milan [miˈlãŋ]; German: Mailand; Latin: Mediolanum) is the second-largest city in Italy and the capital of Lombardy. The city proper has a population of about 1.35 million, while its urban area is the 5th largest in the EU and the largest in Italy with an estimated population of about 5.2 million. The massive suburban sprawl that followed the Italian economic miracle of 1950s–60s and the growth of a vast commuter belt, suggest that socioeconomic linkages have expanded well beyond the boundaries of its administrative limits and its agglomeration, creating a metropolitan area of 7-9 million people. It has been suggested that the Milan metropolitan area is part of the so-called Blue Banana, the area of Europe with the highest population and industrial density.

Milan was founded by the Insubres, a Celtic people. The city was later conquered by the Romans, becoming the capital of the Western Roman Empire. During the Middle Ages, Milan flourished as a commercial and banking center. In the course of centuries, it has been alternatively dominated by the Spanish, the Austrians and the French, until when in 1859 the city was eventually annexed by the new Kingdom of Italy. During the early 1900s, Milan led the industrialization process of the young nation, being at the very center of the economic, social and political debate. Badly affected by the World War II devastations, and after a harsh Nazi occupation, the city became the main centre of the Italian resistance. In post-war years, the city enjoyed a prolonged economic boom, attracting large flows of immigrants from rural Southern Italy. During the last decades, Milan has seen a dramatic rise in the number of international migrants, and today more than one sixth of its population is foreign born.

Milan is the main industrial, commercial and financial centre of Italy and a leading global city. Its business district hosts the Italian Stock Exchange and the headquarters of the largest national banks and companies. The city is a major world fashion and design capital. Thanks to its important museums, theatres and landmarks (including the Milan Cathedral, the fourth largest cathedral in the world, and Santa Maria delle Grazie, decorated with Leonardo da Vinci paintings, a UNESCO World Heritage Site) Milan attracts more than two million annual visitors. It hosts numerous cultural institutions and universities, including Bocconi University, which ranks fifth among European Business Schools. The city is also well known for several international events and fairs, including Milan Fashion Week and the Milan Furniture Fair, the largest of its kind in the world, and will host the 2015 Universal Exposition. Milan is home to two world's major football teams, A.C. Milan and F.C. Internazionale Milano.

History

Toponymy

The etymology of Milan is uncertain. While the modern name of the city is clearly derived from its Latin name Mediolanum (from the Latin words medio, meaning "in the middle", and lanus, "plain"), it has been suggested that its original roots could lie more deeply in the city's Celtic heritage. Indeed, the name "Mediolanum" is borne by about sixty Gallo-Roman sites all over France, such as Saintes (Mediolanum Santonum) and Évreux (Mediolanum Aulercorum), as every Celtic community had its sacred assembly place of law and justice, usually placed at the midpoint of their territory. In addition, some scholars have suggested that the second element of the Latin name, lanum, could be identified with the Celtic root lan, signifying an enclosure or demarcated territory (source of the Welsh word 'llan', meaning a sanctuary or church) in which Celtic communities used to build shrines. Hence, Mediolanum could signify the central town or sanctuary of a particular Celtic tribe.

Another theory links the origin of the name to the boar sow (the Scrofa semilanuta) an ancient emblem of the city, fancifully accounted for in Andrea Alciato's Emblemata (1584), beneath a woodcut of the first raising of the city walls, where a boar is seen lifted from the excavation, and the etymology of Mediolanum given as "half-wool", explained in Latin and in French. The foundation of Milan is credited to two Celtic peoples, the Bituriges and the Aedui, having as their emblems a ram and a boar; therefore "The city's symbol is a wool-bearing boar, an animal of double form, here with sharp bristles, there with sleek wool." Alciato credits Ambrose for his account.

Prehistory and antiquity

Ruins of the Emperor's palace in Milan. Here Constantine I and Licinius issued the Edict of Milan.

Around 400 BC, the Celtic Insubres settled Milan and the surrounding region. In 222 BC, the Romans conquered the settlement, which was then renamed Mediolanum. After several centuries of Roman control, Milan was declared the capital of the Western Roman Empire by Emperor Diocletian in 286 AD. Diocletian chose to stay in the Eastern Roman Empire (capital Nicomedia) and his colleague Maximianus ruled the Western one. Immediately Maximian built several gigantic monuments, like a large circus 470 m × 85 m (1,540 ft × 279 ft), the Thermae Herculeae, a large complex of imperial palaces and several other services and buildings.

With the Edict of Milan of 313, Emperor Constantine I guaranteed freedom of religion for Christians. The city was besieged by the Visigoths in 402, so the imperial residence was moved to Ravenna. In 452, the Huns overran the city. In 539, the Ostrogoths conquered and destroyed Milan in the course of the Gothic War against Byzantine Emperor Justinian I. In the summer of 569, the Lombards (from which the name of the Italian region Lombardy derives), a Teutonic tribe conquered Milan, overpowering the small Byzantine army left for its defence. Some Roman structures remained in use in Milan under Lombard rule. Milan surrendered to the Franks in 774 when Charlemagne, in an utterly novel decision, took the title "King of the Lombards" as well (before then the Germanic kingdoms had frequently conquered each other, but none had adopted the title of King of another people). The Iron Crown of Lombardy dates from this period. Subsequently Milan become part of the Holy Roman Empire.

Middle Ages

Milan as it appeared in 1493, woodcut from the Nuremberg Chronicle.

During the Middle Ages, Milan prospered as a centre of trade due to its command of the rich plain of the Po and routes from Italy across the Alps. The war of conquest by Frederick I Barbarossa against the Lombard cities brought the destruction of much of Milan in 1162. After the founding of the Lombard League in 1167, Milan took the leading role in this alliance. As a result of the independence that the Lombard cities gained in the Peace of Constance in 1183, Milan became a duchy. In 1208 Rambertino Buvalelli served a term as podestà of the city, in 1242 Luca Grimaldi, and in 1282 Luchetto Gattilusio. The position could be fraught with personal dangers in the violent political life of the medieval commune: in 1252 Milanese heretics assassinated the Church's Inquisitor, later known as Saint Peter Martyr, at a ford in the nearby contado; the killers bribed their way to freedom, and in the ensuing riot the podestà was very nearly lynched. In 1256 the archbishop and leading nobles were expelled from the city. In 1259 Martino della Torre was elected Capitano del Popolo by members of the guilds; he took the city by force, expelled his enemies, and ruled by dictatorial powers, paving streets, digging canals, successfully taxing the countryside. His policy, however, brought the Milanese treasury to collapse; the use of often reckless mercenary units further angered the population, granting an increasing support for the Della Torre's traditional enemies, the Visconti. It is worthy of note that the most important industries throughout the period were major armaments and wool production, a whole catalogue of activities and trades is given in Bonvesin della Riva's "de Magnalibus Urbis Mediolani".

The Biscione: the coat of arms of the House of Visconti, from the Archbishops' palace in Piazza Duomo.

On 22 July 1262 Ottone Visconti was created archbishop of Milan by Pope Urban IV, against the Della Torre candidate, Raimondo della Torre, Bishop of Como. The latter thus started to publicize allegations of the Visconti's closeness to the heretic Cathars and charged them of high treason: the Visconti, who accused the Della Torre of the same crimes, were then banned from Milan and their properties confiscated. The ensuing civil war caused more damage to Milan's population and economy, lasting for more than a decade. Ottone Visconti unsuccessfully led a group of exiles against the city in 1263, but after years of escalating violence on all sides, finally, after the victory in the Battle of Desio (1277), he won the city for his family. The Visconti succeeded in ousting the della Torre forever, ruling the city and its possession until the 15th century.

Much of the prior history of Milan was the tale of the struggle between two political factions: the Guelphs and the Ghibellines. Most of the time the Guelphs were successful in the city of Milan. However, the Visconti family were able to seize power (signoria) in Milan, based on their "Ghibelline" friendship with the German Emperors.  In 1395, one of these emperors, Wenceslas (1378–1400), raised the Milanese to the dignity of a duchy. Also in 1395, Gian Galeazzo Visconti became duke of Milan. The Ghibelline Visconti family was to retain power in Milan for a century and a half from the early 14th century until the middle of the 15th century.

In 1447 Filippo Maria Visconti, Duke of Milan, died without a male heir; following the end of the Visconti line, the Ambrosian Republic was enacted. The Ambrosian Republic took its name from St. Ambrose, popular patron saint of the city of Milan. Both the Guelph and the Ghibelline factions worked together to bring about the Ambrosian Republic in Milan. However, the Republic collapsed when in 1450, Milan was conquered by Francesco Sforza, of the House of Sforza, which made Milan one of the leading cities of the Italian Renaissance.

Early modern

The late 16th-century city encircled by the Spanish walls.

The French king Charles VIII first laid claim to the duchy in 1492. At that time, Milan was defended by Swiss mercenaries. After the victory of Louis's successor François I over the Swiss at the Battle of Marignan, the duchy was promised to the French king François I. When the Habsburg Charles V defeated François I at the Battle of Pavia in 1525, northern Italy, including Milan, passed to the House of Habsburg.

In 1556, Charles V abdicated in favour of his son Philip II and his brother Ferdinand I. Charles's Italian possessions, including Milan, passed to Philip II and the Spanish line of Habsburgs, while Ferdinand's Austrian line of Habsburgs ruled the Holy Roman Empire. The Great Plague of Milan in 1629–31 killed an estimated 60,000 people out of a population of 130,000. This episode is considered one of the last outbreaks of the centuries-long pandemic of plague that began with the Black Death.

In 1700 the Spanish line of Habsburgs was extinguished with the death of Charles II. After his death, the War of the Spanish Succession began in 1701 with the occupation of all Spanish possessions by French troops backing the claim of the French Philippe of Anjou to the Spanish throne. In 1706, the French were defeated in Ramillies and Turin and were forced to yield northern Italy to the Austrian Habsburgs. In 1713, the Treaty of Utrecht formally confirmed Austrian sovereignty over most of Spain's Italian possessions including Lombardy and its capital, Milan.


Napoleon invaded Italy in 1796, and Milan was declared capital of the Cisalpine Republic. Later, he declared Milan capital of the Kingdom of Italy and was crowned in the Duomo. Once Napoleon's occupation ended, the Congress of Vienna returned Lombardy, and Milan, along with Veneto, to Austrian control in 1815. During this period, Milan became a centre of lyric opera. Here in the 1770s Mozart had premiered three operas at the Teatro Regio Ducal. Later La Scala became the reference theatre in the world, with its premières of Bellini, Donizetti, Rossini and Verdi. Verdi himself is interred in the Casa di Riposo per Musicisti, his present to Milan. In the 19th century other important theatres were La Cannobiana and the Teatro Carcano.

On 18 March 1848, the Milanese rebelled against Austrian rule, during the so-called "Five Days" (Italian: Le Cinque Giornate), and Field Marshal Radetzky was forced to withdraw from the city temporarily. However, after defeating Italian forces at Custoza on 24 July, Radetzky was able to reassert Austrian control over Milan and northern Italy. However, Italian nationalists, championed by the Kingdom of Sardinia, called for the removal of Austria in the interest of Italian unification. Sardinia and France formed an alliance and defeated Austria at the Battle of Solferino in 1859. Following this battle, Milan and the rest of Lombardy were incorporated into the Kingdom of Sardinia, which soon gained control of most of Italy and in 1861 was rechristened as the Kingdom of Italy.

The political unification of Italy cemented Milan's commercial dominance over northern Italy. It also led to a flurry of railway construction that had started under Austrian partronage (Venice–Milan; Milan–Monza) that made Milan the rail hub of northern Italy. Thereafter with the opening of the Gotthard (1881) and Simplon (1906) railway tunnels, Milan became the major South European rail focus for business and passenger movements e.g. the Simplon Orient Express. Rapid industrialization and market expansion put Milan at the centre of Italy's leading industrial region, though in the 1890s Milan was shaken by the Bava-Beccaris massacre, a riot related to a high inflation rate. Meanwhile, as Milanese banks dominated Italy's financial sphere, the city became the country's leading financial centre.

Late modern and contemporary

View of Piazza del Duomo in the early 1900s.

In 1919, Fascist leader Benito Mussolini organized his Blackshirts in Milan, that rallied for the first time in Piazza San Sepolcro, a small square near Milan Cathedral. Subsequently, Mussolini led his March on Rome starting from the city. During the Second World War Milan suffered extensive damage from Allied bombings. When Italy quit the war in 1943, German forces occupied most of Northern Italy until 1945. As a result, antifascist resistance groups formed and started guerilla warfare against Nazi and Italian Social Republic's troops. As the war came to an end, the American 1st Armored Division advanced on Milan as part of the Po Valley Campaign. But before they arrived, members of the resistance seized control of the city and executed Mussolini along with several members of his collaborationist government. On 29 April 1945, the corpses of Mussolini, his mistress Clara Petacci and other Fascist leaders were infamously hanged in Piazzale Loreto, where a year before fifteen partisans had been executed.
 
During the post-war economic miracle, a large wave of internal migration (especially from rural areas of Southern Italy), moved to the city, bringing the population from 1.3 million in 1951 to 1.7 million in 1967. During this period, Milan saw a quick reconstruction of most of its destroyed facilities, with the building of several innovative and modernist skyscrapers, such as the Torre Velasca and the Pirelli Tower, that soon became symbols of the boom. The economic prosperity was however overshadowed in the late 1960s and early 1970s during the so-called Years of Lead, when Milan witnessed an unprecedented wave of street violence, labour strikes and political terrorism. The apex of this period of turmoil occurred on 12 December 1969, when a bomb exploded at the National Agrarian Bank in Piazza Fontana, killing seventeen people and injuring eighty-eight.

Downtown Milan in the 1960s.

In the 1980s, as several fashion firms based in the city became internationally successful (such as Armani, Versace and Dolce & Gabbana), Milan became one of the world's fashion capitals. The city saw also a marked rise in international tourism, notably from America and Japan, while the stock exchange increased its market capitalization more than five-fold. This short-lived period of collective euphoria and the new international image of the city led the mass media to nickname the metropolis "Milano da bere", literally "Milan to drink". However, in the 1990s, Milan was badly affected by Tangentopoli, a large political scandal in which many local and national politicians and businessmen were tried for alleged corruption. The city was also affected by a severe financial crisis and a steady decline in textiles, automobile and steel production, that led to a deep reorganization of its economy.

In the early 21st century, Milan underwent a series of massive redevelopments, with the moving of its exhibition centres to a much larger site in the satellite town of Rho, and the construction of a new financial district in Porta Nuova. Despite the decline in Milan's manufacturing production, the city has found alternative and successful sources of revenue, including publishing, finance, banking, food processing, information technology, logistics, transport and tourism. The 2010 official announcement of Milan hosting Expo 2015 has brightened prospects for the city's future, with several new plans of regeneration and the planned construction of numerous futuristic structures. In addition, the city's decades-long population decline seems to have come to an end in recent years, with signs of recovery as it grew by seven percent since the last census.

Architecture

The Gothic façade of Milan Cathedral.

There are few remains of the ancient Roman colony that later became a capital of the Western Roman Empire. During the second half of the fourth century, Saint Ambrose, as bishop of Milan, had a strong influence on the layout of the city, redesigning the centre (although the cathedral and baptistery built at this time are now lost) and building the great basilicas at the city gates: Sant'Ambrogio, San Nazaro in Brolo, San Simpliciano and Sant'Eustorgio, which still stand, refurbished over the centuries, as some of the finest and most important churches in Milan. The largest and most important example of Gothic architecture in Italy, Milan's Cathedral, is the fourth largest in the world after St. Peter's Basilica in Rome, the Cathedral of Seville and a new cathedral in Côte d'Ivoire. Built between 1386 and 1577, it hosts the world's largest collection of marble statues and has a widely visible golden Madonna statue on top of the spire, nicknamed by the people of Milan as Madunina (the little Madonna), that became one of the symbols of the city.

The Castello Sforzesco, ancient residence of the House of Sforza.

In the second half of the fifteenth century, when the Sforza ruled the city, the old Visconti fortress was enlarged and embellished to became the Castello Sforzesco: the seat of an elegant Renaissance court surrounded by a walled hunting park stocked with game captured around the Seprio and Lake Como. Notable architects involved in the project included the Florentine Filarete, who was commissioned to build the high central entrance tower, and the military specialist Bartolomeo Gadio. The political alliance between Francesco Sforza and the Florence of Cosimo de' Medici bore architectural fruit, as Milanese building came under the influence of Brunelleschian models of Renaissance architecture. The first notable buildings to show this Tuscan influence were a palazzo built to house the Medici Bank (of which only the main entrance survives) and the centrally planned Portinari Chapel, attached to Sant’Eustorgio and built for the first manager of the bank's Milan branch. Filarete, while in Milan, was responsible for the great public hospital known as the Ospedale Maggiore, and also for an influential Treatise on Architecture, which included a plan for a star-shaped ideal city called Sforzinda in honour of Francesco Sforza and passionately argued for the centrally planned form.

Leonardo da Vinci, who was in Milan from around 1482 until the fall of the city to the French in 1499, was commissioned in 1487 to design a tiburio, or crossing tower for the cathedral, although he was not chosen to build it. However, the enthusiasm he shared with Filarete for the centrally-planned building gave rise in this period to numerous architectural drawings [pictured], which were influential in the work of Donato Bramante and others. Bramante's work in the city, which included Santa Maria presso San Satiro (a reconstruction of a small 9th-century church), the beautiful luminous tribune of Santa Maria delle Grazie and three cloisters for Sant'Ambrogio, drew also on his studies of the Early Christian architecture of Milan such as the Basilica of San Lorenzo.

The Counter-Reformation was also the period of Spanish domination and was marked by two powerful figures: Saint Charles Borromeo and his cousin, Cardinal Federico Borromeo. Not only did they impose themselves as moral guides to the people of Milan, but they also gave a great impulse to culture, with the creation of the Biblioteca Ambrosiana, in a building designed by Francesco Maria Ricchino, and the nearby Pinacoteca Ambrosiana. Many notable churches and Baroque mansions were built in the city during this period by the architects, Pellegrino Tibaldi, Galeazzo Alessi and Ricchino himself.

The Chiaravalle Abbey, founded in 1135.

Empress Maria Theresa of Austria was responsible for the significant renovations carried out in Milan during the 18th century. She instigated profound social and civil reforms, as well as the construction of many of the buildings that still today constitute the pride of the city, like the Teatro alla Scala, inaugurated on 3 August 1778 and today one of the world's most famous opera houses. The annexed Museo Teatrale alla Scala contains a collection of paintings, drafts, statues, costumes, and other documents regarding opera and La Scala's history. La Scala also hosts the Ballet School of the Teatro alla Scala. The Austrian sovereign also promoted culture in Milan through projects such as converting the ancient Jesuit College, in the district of Brera, into a scientific and cultural centre with a Library, an astronomic observatory and the botanical gardens, in which the Art Gallery and the Academy of Fine Arts are today placed side by side. Milan was also widely affected by the Neoclassical movement in the late 18th and early 19th centuries, transforming its architectural style.


French Imperial rule of the city in the early 19th century produced several fine Neoclassical structures and mansions, Many of these are located in the Corso Venezia district, including Villa Reale or Villa del Belgiojoso, built by Leopoldo Pollack in 1790. It housed the Bonaparte family, mainly Joséphine Bonaparte, but also several others key political figures of 1800, such as Count Joseph Radetzky von Radetz and Eugène de Beauharnais. It is often regarded as one of the best types of Neoclassical architecture in Milan and Lombardy, surrounded by an English landscape garden. Today, it hosts a Gallery Contemporary Art in a fine context of classical columns, vast halls, marble statues and crystal chandeliers.

Galleria Vittorio Emanuele II: interior view.

Additionally, major examples of Neoclassical architecture in the city include Palazzo Belgiojoso, former grand Napoleonic residence, and Palazzo Tarsis, built by Luigi Clerichetti for Count Paolo Tarsis in 1834, famous for its ornate façade. The massive Arch of Peace, also known as Porta Sempione (Sempione Gate), is situated in Piazza Sempione right at the end of the homonymous park. It is often compared to a miniature version of the Arc de Triomphe in Paris. The works began in 1806 by order of Napoleone Bonaparte, under superivision of architect Luigi Cagnola. Just like with the Arc de Triomphe, Napoleon's 1815 defeat at the Battle of Waterloo, halted the construction of the monumental arch, but Emperor Franz Josef I of Austria ordered it to be completed as a celebration of the Vienna Congress and the peace treaties of 1815. It was completed by Francesco Peverelli on 10 September 1838. Another noted Neoclassical building in the city is the Palazzo del Governo, constructed in 1817 by Piero Gilardoni.

In the second half of the 19th century, Milan quickly became the main industrial center in Italy, drawing inspiration from the great European capitals that were hubs of the technological innovations of the second industrial revolution and, consequently, of the deep social change that had been put in motion. The great Galleria Vittorio Emanuele II, a covered passage that connects Piazza del Duomo, Milan to the square opposite of La Scala opera house, was built by architect Giuseppe Mengoni between 1865 and 1877 to celebrate Vittorio Emanuele II, first king of reunited Italy. The galleria is covered by an arching glass and cast iron roof, a popular design for 19th-century arcades, such as the Burlington Arcade in London, which was the prototype for larger glazed shopping arcades, beginning with the Saint-Hubert Gallery in Brussels and the Passazh in St Petersburg. Another late 19th century eclectic monument in the city is Cimitero Monumentale, built in a Neo-Romanesque style by several architects between 1863 and 1866.

The tumultuous period of early 20th century brought several, radical innovations in Milanese architecture. Art Nouveau, also known as Liberty in Italy, started to develop in the city during the years before the Great War; alongside other major Italian cities, most notably Palermo and Turin, this particular style became highly popular, producing several notable buildings in the city, developing its own, individual style known as "Liberty Milanese" (Milanese Art Nouveau), which, in many aspects, shares many traits with Vienna Secession. Possibly one of the most notable Art Nouveau edfices in Milan is Palazzo Castiglioni in Corso Venezia, built by architect Giuseppe Sommaruga between 1901 and 1904. Other remarkable examples include Hotel Corso and Berri-Meregalli house, the latter built in a traditional Milanese Art Nouveau style combined with elements of neo-Romanesque and Gothic revival architecture, regarded as one of the last such types of architecture in the city. In 1906, with the Universal Exposition, the city was able to exhibit its Art Nouveau works, that was thus considered the official style of the exposition.

Nonetheless, as the century progressed, other styles started to be explored, including neo-Romanesque, eclectic and Gothic revival architecture, so Art Nouveau started falling out of fashion by c. 1913, when the official season was closed by Sommaruga. A new, more eclectic form of architecture can be seen in buildings such as Castello Cova, built the 1910s in a distinctly neo-medioeval style, evoking the architectural trends of the past. A late Example of Art Deco, which blended such styles with Fascist architecture, is the massive Milano Centrale railway station by Ulisse Stacchini, inaugurated in 1931

The iconic Velasca Tower, built in 1958.

The post–World War II period saw rapid reconstruction and fast economic growth, accompanied by a nearly twofold increase in population. A strong demand for new residential and commercial areas drove to extreme urban expansion and architectural renewal, that has produced some of the major milestones in the city's architectural history, including Gio Ponti's Pirelli Tower (1956–60), Velasca Tower (1956–58), and the creation of brand new residential satellite towns, as well as huge amounts of low quality public housings.

In recent years, de-industrialization, urban decay and gentrification led to a massive urban renewal of former industrial areas, that have been transformed into modern residential and financial districts, notably Porta Nuova and FieraMilano in the suburb of Rho. The old Fiera area is being completely rebuilt thanks to the project Citylife and will feature, amongst residences, museums and a large park, three skyscraper designed by famous international architects, from whom they will take the names: Isozaki Tower, Hadid Tower and Libeskind Tower. They will all have remarkable shapes: the Hadid Tower is twisted, the Libeskind Tower and the Isozaki Tower, although being perfectly straight, will reach 200m becoming the tallest building in Italy.

Parks and gardens

Milan boasts a wide variety of parks and gardens. The first public parks were established 1857 and 1862, and were designed by Giuseppe Balzaretto. They were situated in a "green park district", found in the areas of Piazzale Oberdan (Porta Venezia), Corso Venezia, Via Palestro and Via Manin. Most of them were landscaped in a Neoclassical style and represented traditional English gardens, often full of botanic richness. Since 1990 Milan is surrounded by the regional Parco Agricolo Sud Milano that wraps the southern half of the city, connecting Ticino Park in the west and Adda Park in the east. The Park was instituted in order to safeguard and enhance the old agricultural landscape and activities, woodlands and natural reserves, with an overall size of 47,000 hectares.

The most important parks in Milan are the set of adjacent parks in the western area of the city, forming Parco Agricolo Sud Milano (Parco delle Cave, 131 hectares; Boscoincittà, 110 hectares; and Trenno Park, 59 hectares, whose total area amounts to about 300 hectares), Sempione Park, Parco Forlanini, Giardini Pubblici, Giardino della Villa Comunale, Giardini della Guastalla and Lambro Park. Sempione Park is a large public park, situated between the Castello Sforzesco and the Peace Arch, near Piazza Sempione. It was built by Emilio Alemagna, and contains a Napoleonic Arena, the Milan City Aquarium, a tower, an art exhibition centre, some ponds and a library. Then there is Parco Forlani, which, with a size of 235 hectares is the largest park in Milan, and contains a hill and a pond. Giardini Pubblici is among Milan's oldest remaining public parks, founded on 29 November 1783, and completed around 1790. It is landscaped in English style, containing a pond, a Natural History Museum of Milan and the Neoclassical Villa Reale. Giardini della Guastalla is also one of the oldest gardens in Milan, and consists mainly of a decorated fish pond.

Milan also hosts three important botanical gardens: the Milan University Experimental Botanical Garden (a small botanical garden operated by the Istituto di Scienze Botaniche), the Brera Botanical Garden (another botanical garden, founded in 1774 by Fulgenzio Witman, an abbot under the orders of Empress Maria Theresa of Austria, and restored in 1998 after several years of abandonment) and the Cascina Rosa Botanical Garden. On 23 January 2003, a Garden of the Righteous was established in Monte Stella to commemorate those who opposed genocides and crimes against humankind. It hosts trees dedicated to Moshe Bejski, Andrei Sakharov, the founders of the Gardens of the Righteous in Yerevan and Pietro Kuciukian, and others. The decision to commemorate a "Righteous" person in this Garden is made every year by a commission of high-profile characters.

Education

Milan is home to some of Italy's most prominent educational institutions. Milan's higher education system includes 7 universities, 48 faculties and 142 departments, with 185,000 university students in 2011 (approximately 11 percent of the national total) and the largest number of university graduates and postgraduate students (34,000 and more than 5,000, respectively) in Italy.

Founded in 1863, the Politecnico di Milano is the oldest university in Milan. The Politecnico is organized in 16 departments and a network of 9 Schools of engineering, architecture and industrial design spread over 7 campuses in the Lombardy region. The number of students enrolled in all campuses is approximately 38,000, which makes Politecnico the largest technical university in Italy.

The State University of Milan, founded in 1923, is the largest public teaching and research university in the city, with 9 faculties, 58 departments, 48 institutes and a teaching staff of 2,500 professors. A leading institute in Italy and Europe in scientific publication, the University of Milan is the sixth largest university in Italy, with approximately 60,000 enrolled students.

Other prominent univerisites in Milan include: the Bocconi University, a private management and finance school established in 1902, ranking as the seventh best business school in Europe; the Catholic University of the Sacred Heart, currently the largest Catholic university in the world with 42,000 enrolled students; the University of Milan Bicocca, a multidisciplinary public university with more than 30,000 enrolled students; the IULM University of Milan, specializing in marketing, information and communications technology, tourism and fashion; the St. Raphael University, linked to St. Raphael Hospital, is home to basic research laboratories in neurology, neurosurgery, diabetology, molecular biology, AIDS studies and cognitive science.

Milan is also well known for its numerous art, deisgn and fashion tertiary schools. The Milan Academy of Fine Arts is a public academic institution founded in 1776 by Empress Maria Theresa of Austria; the New Academy of Fine Arts is the largest private art and design university in Italy; the European Institute of Design is a private university specialized in fashion, industrial and interior design, audio/visual design including photography, advertising and marketing and business communication; the Marangoni Institute, a fashion institute with campuses in Milan, London, and Paris; the Domus Academy is a private postgraduate institution of design, fashion, architecture, interior design and management; the Milan Conservatory, a college of music established in 1807, is currently Italy's largest with more than 1,700 students and 240 music teachers.

Culture

Entertainment and performing arts

Milan is a major nation-wide and international centre of the performing arts, most notably opera. Milan hosts La Scala operahouse, considered one of the most prestigious operahouses in the world, and throughout history has hosted the premieres of numerous operas, such as Nabucco by Giuseppe Verdi in 1842, La Gioconda by Amilcare Ponchielli, Madama Butterfly by Giacomo Puccini in 1904, Turandot by Giacomo Puccini in 1926, and more recently Teneke, by Fabio Vacchi in 2007. Other major theatres in Milan include the Teatro degli Arcimboldi, Teatro Dal Verme, Teatro Lirico and formerly the Teatro Regio Ducal. The city also has a renowned symphony orchestra and musical conservatory, and has been, throughout history, a major centre for musical composition: numerous famous composers and musicians such as Gioseppe Caimo, Simon Boyleau, Hoste da Reggio, Verdi, Giulio Gatti-Casazza, Paolo Cherici and Alice Edun are or were from, or call or called Milan their home. The city has also formed numerous modern ensembles and bands, such as the Dynamis Ensemble, Stormy Six and the Camerata Mediolanense have been formed.

Museums and art gallerie

Milan is one of the European Union's most important tourist destinations, also being the 7th best city in Europe in terms of touristic reputation, attractions and branding; with 1.902 million arrivals in 2007 and 1.914 million in 2008, it places itself 42nd and 52nd respectively, most visited city in the world. According to a particular source, 56% of international visitors to Milan are from Europe, while 44% of the city's tourists are Italian, and 56% are from abroad. The most important European Union markets are the United Kingdom (16%), Germany (9%) and France (6%). According to the same study, most of the visitors who come from the USA to the city go on business matters, while Chinese and Japanese tourists mainly make up the leisure segment. The average stay for a tourist in the city is of 3.43 nights, while foreigners stay for longer periods of time, 77% of which stay for a 2–5 night average. Of the 75% of visitors staying in hotels, 4-star ones are the most popular (47%), while 5-stars, or less than 3-stars represent 11% and 15% of the charts respectively.

The city contains several cultural institutions, museums and galleries, some of which are highly important at an international level, such as the city's Duomo and Piazza, the Convent of Sta. Maria delle Grazie with Leonardo da Vinci's The Last Supper, the San Siro Stadium, the Galleria Vittorio Emanuele II, the Castello Sforzesco, the Pinacoteca di Brera and the Via Monte Napoleone. Most tourists visit sights such as Milan Cathedral, the Castello Sforzesco and the Teatro alla Scala, however, other main sights such as the Basilica of Sant'Ambrogio, the Navigli and the Brera Academy and district are less visited and prove to be less popular.

Continuity in Space  Boccioni.

The Pinacoteca di Brera is one of Milan's most important art galleries. It contains one of the foremost collections of Italian paintings, an outgrowth of the cultural program of the Brera Academy, which shares the site in the Brera Academy. It contains masterpieces such as the Brera Madonna by Piero della Francesca. The Castello Sforzesco hosts numerous art collections and exhibitions. The best known of the current civic museums is the Pinacoteca del Castello Sforzesco, with an art collection including Michelangelo's last sculpture, the Rondanini Pietà, Andrea Mantegna's Trivulzio Madonna and Leonardo da Vinci's Codex Trivulzianus manuscript. The Castello complex also includes The Museum of Ancient Art, The Furniture Museum, The Museum of Musical Instruments and the Applied Arts Collection, The Egyptian and Prehistoric sections of the Archaeological Museum and the Achille Bertarelli Print Collection

Milan's figurative art flourished in the Middle-Ages, and with the Visconti family being major patrons of the arts, the city became an important centre of Gothic art and architecture (Milan Cathedral being the city's most formidable work of Gothic architecture). Also, rule of the Sforza family, between the 14th and 15th century, was another period in which art and architecture flourished. Milan became the seat of an elegant Renaissance court, while great works, such as the Ospedale Maggiore, the public hospital designed by Filarete were built, and artists of the calibre of Leonardo da Vinci came to work in Milan, leaving works of inestimable value, such as the fresco of the Last Supper and the Codex Atlanticus.

Bramante also came to Milan to work on the construction of some of the most beautiful churches in the city; in Santa Maria delle Grazie the beautiful luminous tribune is by Bramante, as is the church of Santa Maria presso San Satiro. The city was affected by the Baroque in the 17th and 18th centuries, and hosted numerous formidable artists, architects and painters of that period, such as Caravaggio and Francesco Hayez, which several important works are hosted in Brera Academy.

Milan in the 20th century was the epicenter of the Futurist artistic movement. Filippo Marinetti, the founder of Italian Futurism wrote in his 1909 "Futurist Manifesto" (in Italian, Manifesto Futuristico), that Milan was "grande...tradizionale e futurista" ("grand...traditional and futuristic", in English). Umberto Boccioni was also an important Futurism artist who worked in the city. Today, Milan remains a major international hub of modern and contemporary art, with numerous modern exhibitions. The Museum of Twentieth Century, sited in the Arengario palace near Duomo square in the centre of Milan, is one of the most important art galleries about Italian and international Twentieth Century’s art in Italy: of particular relevance are the sections dedicated to Futurism, Spatialism and Arte povera.

The Museo Poldi Pezzoli is another of the city's most important and prestigious museums. The museum was originated in the 19th century as the private collection of Gian Giacomo Poldi Pezzoli and his mother, Rosa Trivulzio, of the family of the condottiero Gian Giacomo Trivulzio, and has a particularly broad collection of Northern Italian and (for Italy) Netherlandish/Flemish artists. The Museum of the Risorgimento (Museo del Risorgimento) is a museum in Milan on the history of Italian unification from 1796 (Napoleon's first Italian campaign) and 1870 (Rome's annexation into the Kingdom of Italy) and on Milan's part in it (particularly the Five Days of Milan). It is housed in the 18th century Palazzo Moriggia. Its collections include Baldassare Verazzi's Episode from the Five Days and Francesco Hayez's 1840 Portrait of Emperor Ferdinand I of Austria. La Triennale di Milano is a design museum and events venue located inside the Palace of Art building, part of Parco Sempione, the park grounds adjacent to Castello Sforzesco. It hosts exhibitions and events highlighting contemporary Italian design, urban planning, architecture, music, and media arts, emphasizing the relationship between art and industry.

Fashion and design

Milan is regarded as one of the international capitals of industrial and modern design, and one of the world's most influential cities in such fields. The city is particularly well known for its high-quality ancient and modern furniture and industrial goods. Milan hosts the FieraMilano, Europe's biggest, and one of the world's most prestigious furniture and design fairs. 

Milan also hosts major design and architecture-related events and venues, such as the "Fuori Salone" and the Salone del Mobile. In the 1950s and 60s as well as early 70's, being the main industrial centre of Italy and one of mainland Europe's most progressive and dynamic cities, Milan became, along with Turin, Italy's capital of post-war design and architecture. Skyscrapers, such as the Pirelli Tower and the Torre Velasca were constructed, and artists such as Bruno Munari, Lucio Fontana, Enrico Castellani and Piero Manzoni, to name a few, either lived or worked in the city.

Milan is also regarded as one of the fashion capitals of the world, along with New York City, Paris, and London. The Global Language Monitor declared that in 2009 Milan was the top economic and media global capital of fashion,despite the fact it fell down to sixth place in 2010, and went up to fourth place in 2011. Most of the major Italian fashion brands, such as Valentino, Gucci, Versace, Prada, Armani and Dolce & Gabbana, are currently headquartered in the city. 

Numerous international fashion labels also operate shops in Milan, including an Abercrombie & Fitch flagship store, which has become a main consumer attraction. Furthermore, the city hosts the Milan Fashion Week twice a year, just like other international centres such as Paris, London, Tokyo, and New York. Milan's main upscale fashion district is the quadrilatero della moda (literally, "fashion quadrilateral"), where the city's most prestigious shopping streets (Via Monte Napoleone, Via della Spiga, Via Sant'Andrea, Via Manzoni and Corso Venezia) are held. The Galleria Vittorio Emanuele II, the Piazza del Duomo, Via Dante and Corso Buenos Aires are other important shopping streets and squares. Mario Prada, founder of Prada was born here, helping to cultivate its position as a world fashion capital.

Cuisine

Panettone, traditional Christmas cake.

Like most cities in Italy, Milan and its surrounding area has its own regional cuisine, which, as it is typical for Lombard cuisines, uses more frequently rice than pasta, and features almost no tomato. Milanese cuisine includes cotoletta alla milanese, a breaded veal (pork and turkey can be used) cutlet pan-fried in butter (which some claim to be of Austrian origin, as it is similar to Viennese "Wienerschnitzel", while others claim that the "Wienerschnitzel" derived from the Milanese speciality). Other typical dishes are cassoeula (stewed pork rib chops and sausage with Savoy cabbage), ossobuco (stewed veal shank with a sauce called gremolata), risotto alla milanese (with saffron and beef marrow), busecca (stewed tripe with beans), and brasato (stewed beef or pork with wine and potatoes). Season-related pastries include chiacchiere (flat fritters dusted with sugar) and tortelli (fried spherical cookies) for Carnival, colomba (glazed cake shaped as a dove) for Easter, pane dei morti ("Deads' Day bread", cookies aromatized with cinnamon) for All Soul's Day and panettone for Christmas. The salame Milano, a salami with a very fine grain, is widespread throughout Italy. The best known Milanese cheese is gorgonzola from the namesake town nearby, although today the major gorgonzola producers operate in Piedmont.

In homage to a unique cuisine, Milan has several world-renowned restaurants and cafés. Most of the more refined and upper-class restaurants are found in the historic centre, while the more traditional and popular ones are mainly located in the Brera and Navigli districts. Today, there is also a Nobu Japanese restaurant in Milan, which is located in Armani World in Via Manzoni and is regarded as being one of the trendiest restaurants in the city. One of the city's chicest cafés or pasticcerie is the Caffè Cova, an ancient Milanese coffeehouse founded in 1817 near the Teatro alla Scala, which has also opened franchises in Hong Kong. The Biffi Caffè and the Zucca in Galleria are also famous and historical "Caffès" situated in Milan. Other restaurants in Milan include the Hotel Four Seasons restaurant, La Briciola, the Marino alla Scala and the Chandelier. Today, there is also a McDonald's fast-food restaurant in the Galleria Vittorio Emanuele II, and some new boutique-cafés, such as the Just Cavalli Café, owned by the luxury fashion goods brand Roberto Cavalli.

Language and literature

In the late 18th century, and throughout the 19th, Milan was an important centre for intellectual discussion and literary creativity. The Enlightenment found here a fertile ground. Cesare, Marquis of Beccaria, with his famous Dei delitti e delle pene, and Count Pietro Verri, with the periodical Il Caffè were able to exert a considerable influence over the new middle-class culture, thanks also to an open-minded Austrian administration. In the first years of the 19th century, the ideals of the Romantic movement made their impact on the cultural life of the city and its major writers debated the primacy of Classical versus Romantic poetry. Here, too, Giuseppe Parini, and Ugo Foscolo published their most important works, and were admired by younger poets as masters of ethics, as well as of literary craftsmanship. 

Foscolo's poem Dei sepolcri was inspired by a Napoleonic law that—against the will of many of its inhabitants—was being extended to the city. In the third decade of the 19th century, Alessandro Manzoni wrote his novel I Promessi Sposi, considered the manifesto of Italian Romanticism, which found in Milan its centre, and Carlo Porta wrote his poems in Western Lombard Language. The periodical Il Conciliatore published articles by Silvio Pellico, Giovanni Berchet, Ludovico di Breme, who were both Romantic in poetry and patriotic in politics. After the Unification of Italy in 1861, Milan lost its political importance; nevertheless it retained a sort of central position in cultural debates. New ideas and movements from other countries of Europe were accepted and discussed: thus Realism and Naturalism gave birth to an Italian movement, Verismo. The greatest verista novelist, Giovanni Verga, was born in Sicily but wrote his most important books in Milan.

In addition to Italian, approximately a third of the population of western Lombardy can speak the Western Lombard language, also known as Insubric. In Milan, some people (mostly elder ones) of the city (natives but also, less often, immigrants) can speak the traditional Milanese language —that is to say the urban variety of Western Lombard, which is not to be confused with the Milanese-influenced regional variety of the Italian language.

Religion

Milan's population, like that of Italy as a whole, is mostly Catholic. It is the seat of the Roman Catholic Archdiocese of Milan. The city is also home to sizeable Orthodox, Buddhist, Jewish, Muslim and Protestant communities.

Milan has its own historic Catholic rite known as the Ambrosian Rite (Italian: Rito ambrosiano). It varies slightly from the typical Catholic rite (the Roman, used in all other western regions), with some differences in the liturgy and mass celebrations, in the Canons are Easter and Lent, in the colour of liturgical vestments, peculiar use of incense, marriage form, office for the dead, baptism by immersion, and in the calendar (for example, the date for the beginning of lent is celebrated some days after the common date, so the carnival has different date). The season of Advent is of six weeks duration and starts on the Sunday after the feast of Saint Martin (11 November). 

The Ambrosian rite is also practiced in other surrounding locations in Lombardy, parts of Piedmont and in the Swiss canton of Ticino. The sounding of church bells uses a peculiar technique. Another important difference concerns the liturgical music. The Gregorian chant was completely unused in Milan and surrounding areas, because the official one was its own Ambrosian chant, definitively established by the Council of Trent (1545–1563) and earlier than the Gregorian. To preserve this music there has developed the unique schola cantorum, a college, and an Institute called PIAMS (Pontifical Ambrosian Institute of Sacred Music), in partnership with the Pontifical Institute of Sacred Music (PIMS) in Rome.

References

• Cooke, Philip (1997). Italian resistance writing : an anthology. Manchester: Manchester University Press. pp. 20. ISBN 0-7190-5172-X.
• Ginsborg, Paul (2003). A history of contemporary Italy : society and politics, 1943 - 1988. New York: Palgrave Macmillan. pp. 220. ISBN 1-4039-6153-0.
• Michell, John (2009). The sacred center : the ancient art of locating sanctuaries. Rochester, Vt.: Inner Traditions. pp. 32. ISBN 978-1-59477-284-9
•  Wise, Hilary (1997). The vocabulary of modern French origins, structure and function. London: Routledge. pp. 39. ISBN 0-203-42979-6.
• Wittkower, Rudolf (1993). "Art and Architecture Italy, 1600–1750". Pelican History of Art. 1980. Penguin Books 

 

●▬▬ஜ۩۞۩ஜ▬♥▬●▬ஜ۩۞۩ஜ▬▬♥▬●▬▬ஜ۩۞۩ஜ▬▬●